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This is Camden House’s general German studies series, in which numerous titles have appeared since the early 1980s. It welcomes a broad range of topics and approaches - from traditional, narrowly literary studies on one hand to forays into cultural studies and cultural history on the other, from approaches based on traditional close reading to those emphasizing theory, from feminist to postmodern to multicultural. All periods of German culture and literature are fair game, from medieval Spielmannsepen to currently emerging writers of the twenty-first century.

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253 results in Studies in German Literature Linguistics and Culture

Page 9 of 13

Religion in Contemporary German Drama
  • Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss
  • Sinéad Crowe
  • Published by:
    Boydell & Brewer
    Published online:
    05 May 2013
    Print publication:
    15 March 2013
  • Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland.

Violent Women in Print
  • Representations in the West German Print Media of the 1960s and 1970s
  • Clare Bielby
  • Published by:
    Boydell & Brewer
    Published online:
    05 April 2013
    Print publication:
    29 November 2012
  • As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull.

A Study of the Major Novellas of E.T.A. Hoffmann
  • Birgit Röder
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    03 February 2003
  • Analysis of the novellas of the German Romantic writer and composer, focusing on the issues of art and the artist. The German Romantic writer and composer E. T. A. Hoffmann (1776-1822) - perhaps best known to the English-speaking world through his 'Nutcracker' and through Jacques Offenbach's opera 'Tales of Hoffmann' - struggled to convince his predominantly bourgeois public of the merits of art and literature. Not surprisingly, many of his most important novellas are bound up with the dilemmas of art and the challenges faced by the Romantic artist, and it is these 'Künstlernovellen' that are the focus of this study. Birgit Röderargues that Hoffmann's artists are not simply individuals who create works of art, but rather figures through whom the author explores the predicament of those who reject the conventional world of bourgeois reality and seek to assert the claims of the imagination in a world dominated by prosaic rationalism. Contrary to previous scholars however, Röder demonstrates that Hoffmann's novellas clearly warn against a view of art as an autonomous aesthetic realm cut off from the world of reality. This is particularly apparent in Röder's analysis of gender relations in Hoffmann's oeuvre - especially the relationship between (male) artist and (female) muse - which underlines the extent to which art, literature, and the imagination are inseparably bound up with the prevailing social reality. The novellas that are given extensive consideration are 'Das Fräulein von Scuderi, Der Sandmann, Die Jesuiterkirche in G., Die Fermate, Der Artushof, Don Juan, Das Sanctus,' and 'Rat Krespel'. Birgit Röder teaches German language and literature at the University of Reading, UK.

German and European Poetics after the Holocaust
  • Crisis and Creativity
  • Edited by Gert Hofmann, Rachel MagShamhráin, Marko Pajevic, Michael Shields
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    20 May 2011
  • Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, Charlotte Beradt, Thomas Kling, Heiner Müller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, André Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film 'Shoah.' Contributors: Chris Bezzel, Manuel Bragança, Gisela Dischner, Rüdiger Görner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhráin, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice, Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhráin is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway.

Interwar Vienna
  • Culture between Tradition and Modernity
  • Edited by Deborah Holmes, Lisa Silverman
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 October 2009
  • Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee.

Germans as Victims in the Literary Fiction of the Berlin Republic
  • Edited by Stuart Taberner, Karina Berger
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 February 2009
  • In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK.

Popular Revenants
  • The German Gothic and its International Reception, 1800–2000
  • Edited by Andrew Cusack, Barry Murnane
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    25 June 2012
  • The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany.

Metamorphoses of the Vampire in Literature and Film
  • Cultural Transformations in Europe, 1732–1933
  • Erik Butler
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 March 2010
  • For the last three hundred years, fictions of the vampire have fed off anxieties about cultural continuity. Though commonly represented as a parasitic aggressor from without, the vampire is in fact a native of Europe, and its 'metamorphoses,' to quote Baudelaire, a distorted image of social transformation. Because the vampire grows strong whenever and wherever traditions weaken, its representations have multiplied with every political, economic, and technological revolution from the eighteenth century on. Today, in the age of globalization, vampire fictions are more virulent than ever, and the monster enjoys hunting grounds as vast as the international market. 'Metamorphoses of the Vampire' explains why representations of vampirism began in the eighteenth century, flourished in the nineteenth, and came to eclipse nearly all other forms of monstrosity in the early twentieth century. Many of the works by French and German authors discussed here have never been presented to students and scholars in the English-speaking world. While there are many excellent studies that examine Victorian vampires, the undead in cinema, contemporary vampire fictions, and the vampire in folklore, until now no work has attempted to account for the unifying logic that underlies the vampire's many and often apparently contradictory forms. Erik Butler holds a PhD from Yale University and has taught at Emory University and Swarthmore College. His publications include 'The Bellum Gramaticale and the Rise of European Literature' (2010) and a translation with commentary of 'Regrowth' ('Vidervuks') by the Soviet Jewish author Der Nister (2011).

Heights of Reflection
  • Mountains in the German Imagination from the Middle Ages to the Twenty-First Century
  • Edited by Sean Ireton, Caroline Schaumann
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 June 2012
  • Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance, mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfilment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpine environment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers, and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Höbusch, Dan Hooley, Peter Höyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Türk, Sabine Wilke, Wilfried Wilms. Sean Ireton is Associate Professor of German at the University of Missouri. Caroline Schaumann is Associate Professor of German Studies at Emory University.

Goethe's Concept of the Daemonic
  • After the Ancients
  • Angus Nicholls
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 May 2006
  • For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a 'divine voice' known as his 'daimonion.' Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. ANGUS NICHOLLS is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London.

Enlightened War
  • German Theories and Cultures of Warfare from Frederick the Great to Clausewitz
  • Edited by Elisabeth Krimmer, Patricia Anne Simpson
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 March 2011
  • 'Enlightened War' investigates the multiple and complex interactions between warfare and Enlightenment thought. Although the Enlightenment is traditionally identified with the ideals of progress, eternal peace, reason, and self-determination, Enlightenment discourse unfolded during a period of prolonged European warfare from the Seven Years' War to the Napoleonic conquest of Europe. The essays in this volume explore the palpable influence of war on eighteenth-century thought and argue for an ideological affinity among war, Enlightenment thought, and its legacy. The essays are interdisciplinary, engaging with history, art history, philosophy, military theory, gender studies, and literature and with historical events and cultural contexts from the early Enlightenment through German Classicism and Romanticism. The volume enriches our understanding of warfare in the eighteenth century and shows how theories and practices of war impacted concepts of subjectivity, national identity, gender, and art. It also sheds light on the contemporary discussion of the legitimacy of violence by juxtaposing theories of war, concepts of revolution, and human rights discourses. Contributors: Johannes Birgfeld, David Colclasure, Sara Eigen Figal, Ute Frevert, Wolf Kittler, Elisabeth Krimmer, Waltraud Maierhofer, Arndt Niebisch, Felix Saure, Galili Shahar, Patricia Anne Simpson, Inge Stephan. Elisabeth Krimmer is Professor of German at the University of California, Davis, and Patricia Anne Simpson is Associate Professor of German Studies at Montana State University.

Arno Schmidt's 'Zettel's Traum'
  • An Analysis
  • Volker Max Langbehn
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    15 October 2003
  • Arno Schmidt (1914-1979) is considered one of the most daring and influential writers of postwar Germany; the Germanist Jeremy Adler has called him a 'giant of postwar German literature.' Schmidt was awarded the Fontane Prize in 1964 and the Goethe Prize in 1973, and his early fiction has been translated into English to high critical acclaim, but he is not a well-known figure in the English-speaking world, where his complex work remains at the margins of critical inquiry. Volker Langbehn's book introduces Schmidt to the English-speaking audience, with primary emphasis on his most famous novel, 'Zettel's Traum'. One reviewer called the book an 'elephantine monster' because of its unconventional size (folio format), length (1334 pages and over 10 million characters), and unique presentation of text in the form of notes, typewritten pages, parallel columns, and collages. The novel narrates the life of the main characters, Daniel Pagenstecher, Paul Jacobi and his wife Wilma, and their teenage daughter Franziska. In discussing the life and works of Edgar Allan Poe, the four engage in the problems connected with a translation of Poe. Langbehn's study investigates how literary language can mediate or account for the world of experiences and for concepts. Schmidt's use of unconventional presentation formats challenges us to analyze how we think about reading and writing literary texts. Instead of viewing such texts as a representation of reality, Schmidt's novel destabilizes this unquestioned mode of representation, posing a radical challenge to what contemporary literary criticism defines as literature. No comprehensive study of 'Zettel's Traum' exists in English. Volker Langbehn is associate professor of German at San Francisco State University.

Overturning 'Dr. Faustus'
  • Rereading Thomas Mann's Novel in Light of 'Observations of a Non-Political Man'
  • Frances Lee
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    19 March 2007
  • Thomas Mann's last major novel, 'Doktor Faustus,' revolves around the transformation of traditional German culture into Hitler's fascist Germany, a process that intrigues and confounds thinking people still today. Mann has always been considered an exemplary and authoritative portrayer of German culture, and his opinion on the rise of fascism carries considerable weight. Unfortunately, the novel has always been interpreted as saying the opposite of what it does in fact say. Frances Lee provides a radically new interpretation by relating in a detailed manner to the text of Doktor Faustus the arguments expressed by Mann in his 'Observations of a Non-Political Man' - a book of political essays published in 1918. This approach resolves many of the features that have been seen by critics as flaws or contradictions in the novel. Lee establishes what is actually happening in the novel in its historical setting, showing Mann's view of how the acceptance of fascism occurred and the determining role he attributed to the academic community in bringing about the disaster. Her book will be of interest to both amateur and professional students of Mann, particularly because it points to rich new directions for study. Frances Ann Ray Lee received the Ph.D. in German literature from the University of Toronto in 2005.

Writing the New Berlin
  • The German Capital in Post-Wall Literature
  • Katharina Gerstenberger
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 July 2008
  • The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of about 300 works of fiction set in Berlin - of a city and a nation whose identity collapsed virtually overnight. Contributors to this literary collage include established writers like Peter Schneider and Christa Wolf, young authors like Tanja Dückers and Ingo Schramm, German-Turkish authors Zafer Senocak and Yadé Kara, and the Austrians Kathrin Röggla and Marlene Streeruwitz. The non-arrival of the great Berlin novel marks the reorientation in German culture and literature that is the focus of this study: the experience of unification was too diverse, too postmodern, too influenced by global developments to be captured by one novel. Berlin literature of the postunification decade is marked by ambiguity: change is linked to questions of historical continuity; postmodern simulation finds its counterpart in a quest for authenticity; and the assimilation of Germanness into European and global contexts is both liberation and loss. This book pursues a nuanced understanding of the search for new ways to tell the story of Germany's past and of its importance for the formation of a new German identity. Katharina Gerstenberger is associate professor of German at the University of Cincinnati.

Elias Canetti's Counter-Image of Society
  • Crowds, Power, Transformation
  • Johann P. Arnason, David Roberts
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    23 February 2004
  • The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne.

Love and Death in Goethe
  • 'One and Double'
  • Ellis Dye
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    22 October 2004
  • Goethe, in association with his younger Romantic compatriots the Schlegels, Novalis, Fichte, and Schelling, struggled with the subject-object dichotomy, and tried to bridge the gap between self and other, consciousness and nature. His theory and practice prefigured the Romantics' determination to display and interrogate the linguistic and cultural structures informing their own thinking and modes of representation-what Goethe calls one's 'Vorstellungsart.' His work exploits, subverts, and supplants inherited conventions and signs, demonstrating with virtuosic irony that literature is a system of texts, pre-texts, and pre-established but dynamic conceptual models. ' Love and Death in Goethe:'One and Double' ' explores Goethe's use, in a wide range of his poetry and prose, of the theme of 'Liebestod' (love and death) and related embodiments of the paradox of unity in duality. Ellis Dye also examines Goethe's use of other themes related to love and death-the 'femme fatale,' the 'vagina dentata, Frau Welt,' the Lorelei, venereal disease, the 'Lustmord'-and considers issues of selfhood and individuation as well as the possibility that the love-death theme contains an implicit gender bias toward the existential fact of personal separateness. Poems, plays, and novels are dealt with, nevertheless, as works of art, not only as illustrations of an idea or as points of intersection in a system of rhetorical conventions, and are examined for intellectual cohesiveness, elegance, and integrity of design as well as special meanings and effects. ' Love and Death in Goethe:'One and Double' ' explores the meaning of the central theme of Romantic poetry in the works of the most important Romantic poet of all. Students of literary culture, both the lay reader and the Goethe specialist, will be enlightened by its approach and find pleasure and instruction in its revelations. Robert Ellis Dye is professor of German at Macalester College.

Schiller's 'On Grace and Dignity' in its Cultural Context
  • Essays and a New Translation
  • Edited by Jane V. Curran, Christophe Fricker
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    20 June 2005
  • Friedrich Schiller is not only one of the leading poets and dramatists of German Classicism but also an inspiring philosopher. His essay 'über Anmut und Würde' (On Grace and Dignity) marks a radical break with Enlightenment thinking and its morally prescriptive agenda. Here Schiller does not pursue the prevalent interest in the individual artist as genius or in the creative act; instead, he establishes a harmony of mind and body in the aesthetic realm, putting down his thoughts on aesthetics in a systematic way for the first time, building on his own earlier forays into the field and on an intensive study of Kant. The popular essay form allowed Schiller to combine condensed thought with clear and rhetorically effective presentation, but his innovation here is his insistence on a freedom for art that affirms the moral freedom of reason, reuniting the human faculties radically separated by Enlightenment thought. Schiller sees aesthetic autonomy as the way forward for civilization. This is the first English scholarly edition of this pivotal essay, accompanied by the first comprehensive commentary on it. The essays focus on various facets of Schiller's essay and its socio-historical and philosophical context. Schiller's analysis is examined in the light of the thematic context of his plays as well as its surviving influence into the twentieth century. Contributors: Jane Curran, Christophe Fricker, David Pugh, Fritz Heuer, Alan Menhennet. Jane V. Curran is Professor of German at Dalhousie University, Halifax, Nova Scotia. Christophe Fricker is a D. Phil. candidate at St. John's College, Oxford.

The First World War as a Clash of Cultures
  • Edited by Fred Bridgham
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    08 September 2006
  • This volume of essays examines the perceived rift between the British and German intellectual and cultural traditions before 1914 and how the resultant war of words both reflects and helped determine historical, political, and, ultimately, military events. This vexed symbiosis is traced first through a survey of popular fiction, from alarmist British and German "invasion novels" to the visions of Erskine Childers and Saki and even P.G. Wodehouse; contrastingly, the "mixed-marriage novels" of von Arnim, Spottiswoode, and Wylie are considered. Further topics include D. H. Lawrence's ambivalent relationship with Germany, Carl Sternheim's coded anti-militarism, H. G. Wells's and Kurd Lasswitz's visions of their countries under Martian invasion, Nietzsche as the embodiment of Prussian warmongering, and the rise in Germany of anglophobic, anti-Spencerian evolutionism. Case histories of the positions of German and English academics in regard to the conflict round out the volume. CONTRIBUTORS: IAIN BOYD WHITE, HELENA RAGG-KIRKBY, RHYS WILLIAMS, INGO CORNILS, NICHOLAS MARTIN, GREGORY MOORE, STEFAN MANZ, ANDREAS HUTHER, HOLGER KLEIN. Fred Bridgham is Senior Lecturer in the Department of German at the University of Leeds.

Ludwig Börne
  • A Memorial
  • Heinrich Heine
  • Introduction by Jeffrey L. Sammons
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    01 August 2006
  • In 1840, Heinrich Heine, the major German poet of Jewish origin of the age, published a book on Ludwig Börne, the major German political writer of Jewish origin of the period, who had died three years before. Regarded by Heine and others as his best-written book, it was also his most disastrously conceived. Intended to recover the high ground of revolutionary principle and philosophy against the attacks mounted on him by Börne and his supporters, the book was instead met by a storm of outrage from which it seemed Heine's reputation might never recover. In the course of time, the evaluation was reversed; Heine was increasingly celebrated as a true herald of revolution. His vocabulary of Hellenism and Nazarenism, employed for the first time in 'Börne', was transmitted into English usage by Matthew Arnold. But 'Börne' itself is Heine's only major work that has never been fully translated into English. The commentary to the edition clarifies the conflict between the two most prominent German-Jewish public intellectuals of their time, corrects the misapprehensions constantly in circulation about their relationship and the book, and reveals the many peculiarities of the text. Jeffrey L. Sammons is Leavenworth Professor of German Emeritus at Yale University and the author of four books on Heine.

Political Change and Human Emancipation in the Works of Heinrich von Kleist
  • Elystan Griffiths
  • Published by:
    Boydell & Brewer
    Published online:
    05 February 2013
    Print publication:
    28 October 2004
  • The German writer Heinrich von Kleist (1777-1811) was an unconventional and often controversial figure in his own day, and has remained so. His ideas on art, politics, and gender relations continue to challenge modern readers, and his complex and radically open texts remain the object of vigorous scholarly debate. Kleist has often been portrayed as a 'poet without a society,' whose writing served as escape from the realities of his social environment. This new study challenges such a view by situating Kleist in relation to the central political and philosophical debates of his momentous age. The study first establishes the German--and Prussian--context of Kleist's day, and then provides a short introduction to Kleist's life, here seen in particular relation to the political world. Developing his argument in relation to Kleist's literary work and essays in a series of close readings, Elystan Griffiths shows how Kleist's writings responded to four pressing political issues: the relationship of national culture and the state; education and social reform; the theory and practice of war; and administration and the delivery of justice. Griffiths sheds fresh light on Kleist's writing by placing emphasis on its intricacy and rich ambiguity, which are often simplified or overlooked in political studies of Kleist. Thus Griffiths furthers the critical understanding of Kleist's political thinking by uncovering crucial tensions between a pragmatic readiness for compromise and a utopian longing for freedom and truth. Elystan Griffiths is a Research Fellow in the Department of German Studies at the University of Birmingham.

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