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Since its first title was published in 1982, Cambridge Studies in French has provided the context for innovative and influential volumes in French literature and culture. Under the General Editorship first of Malcolm Bowie (now University of Cambridge) and later of Michael Sheringham (University of London) the series has published work by major scholars on both sides of the Atlantic including Norman Bryson, Peter France, Sarah Kay and Michael Sprinker. Topics have ranged from the poetry of François Villon to the critical writings of Nathalie Sarraute, from fairy tales to material culture, from mimesis to surrealist collage. The series has now completed its commissioning programme.

  • General Editors: Michael Sheringham, Royal Holloway, University of London
  • Editorial Boards: R. Howard Bloch, Columbia University, New York , Malcolm Bowie, All Souls College, Oxford , Ross Chambers, University of Michigan, Antoine Compagnon, Columbia University, New York , Peter France, University of Edinburgh , Christie McDonald, Harvard University, Massachusetts , Toril Moi, Duke University, North Carolina , Naomi Schor, Harvard University, Massachusetts

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36 results in Cambridge Studies in French

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Literature and Material Culture from Balzac to Proust
  • The Collection and Consumption of Curiosities
  • Janell Watson
  • Published online:
    22 September 2009
    Print publication:
    13 January 2000
  • This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.

French Renaissance Tragedy
  • The Dramatic Word
  • Gillian Jondorf
  • Published online:
    22 September 2009
    Print publication:
    25 October 1990
  • The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective.

Justice and Difference in the Works of Rousseau
  • Bienfaisance and Pudeur
  • Judith Still
  • Published online:
    22 September 2009
    Print publication:
    28 January 1993
  • According to Rousseau, the best relationship between unequals is one of 'benificence', giving, receiving and repaying benefits. This 1993 book addresses the problem implicit in his writings of whether it is indeed possible for a just and generous relationship to exist between non-equals. Judith Still draws together issues in Rousseau's work which are often treated in isolation: the state, just relations between individuals, sexual politics and the constructing of a feminine identity. She analyses his works, his classical sources, and the conceptual underpinnings of his ethics, crossing the boundary between study of Rousseau as a complex and sensitive writer of fiction and autobiography and consideration of his political and ethical theory. Using techniques of reading drawn from literary theory, particularly from the work of Derrida, de Man and Starobinski, she argues that for Rousseau it is sexual difference which disturbs the practice of benificence.

Simone de Beauvoir, Gender and Testimony
  • Ursula Tidd
  • Published online:
    22 September 2009
    Print publication:
    28 October 1999
  • This is a full-length study exploring Simone de Beauvoir's autobiographical and biographical writings in the context of ideas on selfhood formulated in Le deuxième sexe and her other philosophical essays of the 1940s. Drawing on more recent work in autobiographical studies and working within a broadly Foucauldian framework, Ursula Tidd offers a detailed analysis of Beauvoir's auto/biographical strategy as a woman writer seeking to write herself into the male-constructed autobiographical canon. Tidd first analyses Beauvoir's notions of selfhood in her philosophical essays, and then discusses her four autobiographical and two biographical volumes, along with some of her unpublished diaries, in an attempt to explore notions of selectivity, and the politics of truth-production and reception. The study concludes that Beauvoir's vast auto/biographical project, situated in specific personal and historical contexts, can be read as shaped by a testimonial obligation rooted in a productive consciousness of the Other.

The Family in Crisis in Late Nineteenth-Century French Fiction
  • Nicholas White
  • Published online:
    22 September 2009
    Print publication:
    13 January 1999
  • The Family in Crisis in Late Nineteenth-Century French Fiction, first published in 1999, focuses on a key moment in the construction of the modern view of the family in France. Nicholas White's analysis of novels by Zola, Maupassant, Hennique, Bourget and Armand Charpentier is fashioned by perspectives on a wide cultural field, including legal, popular and academic discourses on the family and its discontents. His account encourages a close rereading of canonical as well as overlooked texts from fin de siècle France. What emerges between the death of Flaubert in 1880 and the publication of Bourget's Un divorce in 1904 is a series of Naturalist and post-Naturalist representations of transgressive behaviour in which tales of adultery, illegitimacy, consanguinity, incest and divorce serve to exemplify and to offer a range of nuances on the Third Republic's crisis in what might now be termed 'family values'.

Nathalie Sarraute, Fiction and Theory
  • Questions of Difference
  • Ann Jefferson
  • Published online:
    22 September 2009
    Print publication:
    03 July 2000
  • Nathalie Sarraute (1900–99) is regarded as one of the major French novelists of the twentieth century. Initially hailed as a leading theorist and exemplar of the nouveau roman, she has come to be regarded as an important author in her own right with her own distinctive concerns. In this major 2000 study of Sarraute, the first in English since her death, Ann Jefferson offers a fresh perspective on Sarraute's entire oeuvre - her novels, her outstanding autobiography Enfance and her influential critical writings - by focusing on the crucial issue of difference which emerges as one of her central preoccupations. Drawing on a variety of critical approaches, Jefferson explores Sarraute's fundamental ambivalence to differences of various kinds including questions of gender and genre. She argues that difference is simultaneously asserted and denied in Sarraute's work, and that the notion of difference, so often celebrated by other writers and thinkers, is shown in Sarraute's work to the inseparable from ambiguity and anxiety.

Gender, Rhetoric, and Print Culture in French Renaissance Writing
  • Floyd Gray
  • Published online:
    22 September 2009
    Print publication:
    25 May 2000
  • In this book Floyd Gray explores how the treatment of controversial subjects in French Renaissance writing was affected both by rhetorical conventions and by the commercial requirements of an expanding publishing industry. Focusing on a wide range of discourses on gender issues - misogynist, feminist, autobiographical, homosexual and medical - Gray reveals the extent to which these marginalized texts reflect literary concerns rather than social reality. He then moves from a close analysis of the rhetorical factor in the Querelle des femmes to consider ways in which writing, as a textual phenomenon, inscribes its own, sometimes ambiguous, meaning. Gray offers richly detailed readings of writing by Rabelais, Jean Flore, Montaigne, Louise Labé, Pernette du Guillet and Marie de Gournay among others, challenging the inherent anachronism of those forms of criticism that fail to take account of the rhetorical and cultural conditions of the period.

Reading the French Enlightenment
  • System and Subversion
  • Julie Candler Hayes
  • Published online:
    22 September 2009
    Print publication:
    15 July 1999
  • In this 1999 book, Julie Candler Hayes offers an ambitious reinterpretation of a crucial aspect of Enlightenment thought, the rationalizing and classifying impulse. Taking issue both with traditional liberal and contemporary critical accounts of the Enlightenment, she analyses the writings of Denis Diderot, Emilie Du Châtelet, the Abbé de Condillac, Buffon, d'Alembert and numerous others, to argue for a new understanding of 'systematic reason' as complex, paradoxical and ultimately liberating. Hayes examines the tensions between freedom and constraint, abstraction and materialism, linear and synoptic order, that pervade not only philosophic and scientific discourse, but also epistolary writing, fiction and criticism. Drawing on the insights of a wide range of theorists from Adorno, Habermas and Foucault to Deleuze and Derrida, she offers a dialogue between the eighteenth century and our own, an ongoing exploration of the question, 'what is Enlightenment?'.

Writing Marginality in Modern French Literature
  • From Loti to Genet
  • Edward J. Hughes
  • Published online:
    22 September 2009
    Print publication:
    23 April 2001
  • Writing Marginality in Modern French Literature, first published in 2001, explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet. Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux (1986), reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference.

Fairy Tales, Sexuality, and Gender in France, 1690–1715
  • Nostalgic Utopias
  • Lewis C. Seifert
  • Published online:
    22 September 2009
    Print publication:
    13 November 1996
  • Between 1690 and 1715, well over one hundred literary fairy tales appeared in France, two-thirds of them written by women. This 1996 book explores why fashionable adults were attracted to this new literary genre and, integrating socio-historical, structuralist, and post-structuralist approaches, considers how it became a medium for reconceiving literary and historical discourses of sexuality and gender. The first part of the book considers how the marvellous is used to legitimize the genre, to exemplify theories of 'modern' culture, and to reaffirm women's potential as writers. The second part examines how specific groups of tales both reiterate and unsettle late seventeenth-century discourses of love, masculinity and femininity through conventions such as the romantic quest, the marriage closure, chivalric heroes and good and evil fairies.

Sentimental Narrative and the Social Order in France, 1760–1820
  • David J. Denby
  • Published online:
    29 August 2009
    Print publication:
    03 March 1994
  • In this discerning study of sentimental discourse of the late eighteenth century, David J. Denby sheds new light on Enlightenment thought and sensibility. He reveals how sentimental sub-literature reflects the social attitudes of the emerging bourgeoisie, and how its formal structures are reflected in contemporary theories concerning the nature of society, morality, and politics. Denby explores how the language and forms of sentimental narratives were adopted and exploited by political and social writers, and how sentimentalism provided a theme of continuity underlying the dominant sense of change brought about by the Revolution. In this interdisciplinary book Denby argues that sentimentalism is central to the culture of late eighteenth-century France. Texts discussed include works by Rousseau and de Staël.

Gender and Genre in Medieval French Literature
  • Simon Gaunt
  • Published online:
    24 August 2009
    Print publication:
    11 May 1995
  • This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology and gender in five key genres: the chansons de geste, courtly romance, the Occitan canso, hagiography, and the fabliaux. Simon Gaunt offers new readings of canonical Old French and medieval Occitan texts such as the Chanson de Roland, Chrétien de Troyes's Chevalier de la charrette, and lyrics by Bernart de Ventadorn, and in addition he considers many less well-known works and less familiar genres such as hagiography and the fabliaux. Drawing on contemporary feminist theory, he examines how masculinity, as well as femininity, is constructed in medieval French and Occitan texts, and shows that gender is a crucial element in the formation of the ideologies that underpin medieval literary genres.

Subjectivity in Troubadour Poetry
  • Sarah Kay
  • Published online:
    22 August 2009
    Print publication:
    28 September 1990
  • The songs of the troubadour poets of the south of France were a pervasive influence in the development of the European lyric (and indeed other genres) from the twelfth century to the Renaissance and beyond. Much troubadour poetry is on the topic of love, and is composed from a first-person position. This book is a full-length study of this first-person subject position in its relation to language and society. Using theoretical approaches where appropriate, Sarah Kay discusses to what extent this first person is a 'self' or 'character', and how far it is self-determining. Dr Kay draws on a wide range of troubadour texts, and provides close readings of many of them, as well as translating all medieval quotations into English in order to make the discussion accessible to the non-specialist. Her book will be of interest both to scholars of medieval literature, and to anybody investigating subjectivity in lyric poetry.

Baudelaire and Schizoanalysis
  • The Socio-Poetics of Modernism
  • Eugene W. Holland
  • Published online:
    22 August 2009
    Print publication:
    23 September 1993
  • This study of Baudelaire's writings applies the principles of schizoanalysis to literary history and cultural studies. By resituating psychoanalysis in its socio-economic and cultural context, this framework provides an illuminating approach to the poetry and art criticism of the foremost French modernist. Professor Holland's book draws upon and transforms virtually the entire spectrum of recent Baudelaire scholarship and demonstrates the impact of the capitalist market and its attendant authoritarianism (as well as Baudelaire's much-discussed family circumstances) on the psychology and poetics of the writer, who abandoned his romantic idealism in favour of a modernist cynicism that has characterized modern culture ever since.

The Love Aesthetics of Maurice Scève
  • Poetry and Struggle
  • Jerry C. Nash
  • Published online:
    22 August 2009
    Print publication:
    25 January 1991
  • This book reassesses the love poetry of Maurice Scève from a phenomenological viewpoint. It calls into question the traditional critical view of Scève as a poet consumed by the anguish and darkness of unrequited love, and frustrated by poetic and erotic quests which lead him nowhere. Professor Nash argues instead that the conflicting forces in Scève's poetic expression of love (light and dark, night and day, heaven and hell) lead ultimately to a sense of equilibrium and a transcendent paradisal state, and that the poet's struggle is actually directed towards this coming to terms with the meaning of ineffable love. Contemplation and portrayal of the ineffable are shown to constitute the central and unifying concern of this compelling body of Renaissance love poetry.

Sade and the Narrative of Transgression
  • Edited by David B. Allison, Mark S. Roberts, Allen S. Weiss
  • Published online:
    21 August 2009
    Print publication:
    30 March 1995
  • This major collection of essays on the Marquis de Sade, first published in 1995, encompasses a wide range of critical approaches to his œuvre, including some of the most celebrated texts in Sade scholarship. It focuses on several distinctly contemporary areas of interest: the explicitly libidinal components of Sade's work and the effects they engender, the textual and narrative apparatus which supports these operations, the ethical and political concerns which arise from them, and the problematic issues surrounding the conceptual closure of representation. Sade is placed at the centre of current debates in literary and philosophical criticism, feminist and gender theory, aesthetics, rhetoric and eighteenth-century French cultural history, and this volume will be of interest to a wide range of readers across these disciplines.

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