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The English Dominican friar Cornelius Ernst OP left an enduring mark on the intellectual life of the English province. Although some of his lectures and articles were published in the volume Multiple Echo, there are a number of different avenues of Cornelius’ work that remain as seeds. Building on Cornelius’ paper ‘A Preface to Theology’, this article investigates the relationship between Cornelius and Edward Evans-Pritchard and Godfrey Lienhardt. Although Evans-Pritchard is most frequently cited in Cornelius’ works, I argue that it is to Godfrey Lienhardt that we should look for the anthropological roots of Cornelius’ ontology of meaning. This paper also interrogates the question of whether there is such a thing as ‘Oxford anthropology’, and whether this has a particular Catholic character. Although I argue that there is no sign of a Catholic anthropology in Oxford, we have to be able to give some account of an anthropologically engaged Catholic theology in the work of Cornelius Ernst. Building on the idea of Cornelius’ work offering seeds for future development, I conclude with a short exploration of how anthropology could act as a preface to theology today, especially in bolstering fundamental theology.
This introduction assesses a range of popular and scholarly attitudes toward the current state of American democracy, identifying in them a dominant theme of modern democratic theory, namely, an aversion to conflict. Just as John Rawls believed democratic societies to be perennially threatened by a “mortal conflict” between comprehensive doctrines and their “transcendent elements not admitting of compromise,” and so proposed a theory of liberal order aimed at preempting, containing, and resolving these conflicts, so contemporary critics perceive the intractable disagreements and polarizations of American political culture to be only corrosive and destabilizing. They propose strategies for achieving social cohesion grounded in a sense of national unity, shared history, or common identity more fundamental to difference. Many religious persons and traditions exhibit a similar aversion to conflict, believing it to indicate some form of sin, injustice, or moral error. I question this presumption that conflict is inherently vicious, ruinous, or violent, and begin to sketch an alternative view of conflict as basic to human creaturehood and potentially generative for social life.
This chapter outlines a historiography of the papacy and the environment and begins with several observations. First, papal approaches to the environment are shaped by the historical evolution of the papacy itself. Second, notions of environment and environmentalism are varied across secular, religious, and, by extension, papal discourse and action. Relatedly, these pluriform conceptions are influenced by locations that include geographic, epistemological, and socio-cultural. Thus informed, the chapter engages two distinct periods. The first is the sixth to the sixteenth centuries, wherein papal approaches to the environment were variously shaped by notions of wilderness, classical natural history, anthropocentrism, monastic spiritualities and activities, and expanding ecclesial infrastructure and temporal power. The second period begins with global industrialization around 1750 and continues through to today. Therein, papal environmentalism is especially expressed in modern Catholic social teaching that began with Leo XIII in 1891 and continues through Francis I, especially Laudato si’ in 2015.
This article provides foundations for how our God-talk can inform the way we think about and live out belonging. It resorts to three key Christian doctrines: the Trinity, creatio ex nihilo and the incarnation. This exploration begins with some brief observations about the issues Karen Kilby and Kathryn Tanner raised regarding social trinitarianism. It then explores the concept of participation as understood by Tanner as another way of conceptualising theocentric belonging rooted in creation and the incarnation. From this emerges the idea of an expansive theocentric theology of belonging, understood as participation in the divine life through creation and the incarnation. This expansiveness is explored further through the concepts of kinship and deep incarnation.
Covenant, community and communion are ways in which God’s means and God’s ends are identical. Covenant is not the ‘Plan B’ after the failure of creation in the fall; it is the fulfilment of the reason for creation, and the anticipation of the true covenant, the incarnation itself. God’s love for Israel goes far beyond any instrumental goodwill: Israel is God’s child, God’s spouse, God’s companion forever. Communion is the centre of the Christian faith: being with but also being together. Communion and community name the two aspirations of church. The one is about being in, and bringing others into, relationship with God; the other is about relating civilly, cordially and sacrificially with one another, and attending to the things that need doing to function humanly. When Jesus talks of the realm of God, he is talking about this communion and community becoming a reality for all people.
The debate about Christ’s incarnation, and the intention behind the incarnation, is wide-ranging and far-reaching. It concerns God’s purpose and the exercise of God’s will; the identity of Christ; the reason for creation; the nature of salvation; and the destiny of humankind. The thirteenth-century Franciscans had a particular perspective on these questions, characterised by their twin emphasis on creation and incarnation. Rupert of Deutz pointed out that if the incarnation was subject to the fall, God must have intended the fall. He countered that God had always intended the Word to have an earthly role in the divine plan for the chosen people. Figures such as Bonaventure, Grosseteste and Duns Scotus amplify and qualify these issues, and Scotus concludes that Christ would have come in the maximal glory of creation – even if there had been no fall.
The counterfactual question of whether Christ would have come had there been no fall turns out not to be the most helpful way of investigating the matter. The real question is whether God’s means are consistent with God’s ends – whether the story of God’s purpose to be with us now and always is a more encompassing narrative than the smaller story of evil, sin, suffering and death, and whether there is utter consistency between the Jesus who is with us in the incarnation and the Jesus who is with us always. In this chapter I investigate Karl Barth’s proposal and, while appreciating its very significant contributions to my project, find it finally wanting on these grounds. Barth helpfully renarrates election as the election of Jesus Christ, but his account of salvation is inconsistent with his Christocentrism and his eschatology is thin.
This chapter articulates God’s purpose, which could be identified with the term ‘election’, but which here I break down into three themes – incarnation, creation and eschatology. If God’s character is not to change, God’s way of bringing about that purpose must be entirely consistent with the nature of that purpose. Thus the incarnation is both the means and the end of God’s purpose. God’s ultimate purpose is for us to be with God: God achieves that purpose by being with us. The incarnation is God being with us: the eschaton is us being with God. Creation is incarnational, because the purpose of creation is to be the theatre of God’s relationship with humankind, and because Jesus demonstrates what creation is and where it belongs in the story of God. The gospels portray the incarnate Jesus as the one through whom creation turns into heaven, and the flaws in existence are overwhelmed by the foretaste of essence.
While various parts of St Thomas’ work have been suggested as places to discern a Thomistic ecclesiology, this article tries to situate the Church in a discussion of creation and the communication of divine goodness that is at the heart of the mystery of providence and predestination. Despite the assurance that God works for good with those who love him, our understanding of divine providence must begin with the frank admission of a tension between our intuition that creation must be ordered, and our experience of contingency. By understanding the Church’s place within creation, in a hidden and shadowy way from Abel until its manifestation in the Lord’s Paschal Mystery, we can see how God’s loving purposes are worked out both in the implicit faith in a Mediator, which finds its expression in a belief in God’s providential care of creation, and in the life of the visible Church where the mystery of predestination is worked out in the lives of the faithful until all is at last made manifest at the end of time. Such an ecclesiology allows us to see the fundamental importance, and mystical meaning, of the visible hierarchical Church.
Biblical authors used wine as a potent symbol and metaphor of material blessing and salvation, as well as a sign of judgement. In this volume, Mark Scarlata provides a biblical theology of wine through exploration of texts in the Hebrew Bible, later Jewish writings, and the New Testament. He shows how, from the beginnings of creation and the story of Noah, wine is intimately connected to soil, humanity, and harmony between humans and the natural world. In the Prophets, wine functions both as a symbol of blessing and judgement through the metaphor of the cup of salvation and the cup of wrath. In other scriptures, wine is associated with wisdom, joy, love, celebration, and the expectations of the coming Messiah. In the New Testament wine becomes a critical sign for the presence of God's kingdom on earth and a symbol of Christian unity and life through the eucharistic cup. Scarlata's study also explores the connections between the biblical and modern worlds regarding ecology and technology, and why wine remains an important sign of salvation for humanity today.
What connects the phenomenon of music as an art with the belief in one indivisible God? What has music, a non-linguistic medium, to say about the personal, loving, communicative God of Scripture and the Prophets, or the omniscient, omnipotent, omnipresent, transcendent God of the Philosophers and can it bring these 'concepts of God' together? To answer these questions, this book takes divine Creation as its starting point, that the God of monotheism must be the Creator of all that is. It thus argues that anything which instantiates and facilitates communication within the created realm has been enabled to do so by a God who communicates with His Creation, and who wishes that His Creation be communicative. Indeed, it will argue that the communication allowed by music, and aesthetic experience in general, is the very raison d'être of Abrahamic monotheism and might thus allow an opportunity for dialogue between monotheistic faiths.
As we consider the relationship of myth-making, at all levels of ‘artistic quality’, it is tempting to place the ‘creative’ moment of invention on a level with God’s action in the creation of the world. Even when the artist humbly attributes her ideas to the world, to her relationships, to her keen artist’s eye, there remains a sense that the novel remainder is somehow conjured by the artist’s genius itself. Indeed, the derivation of genius as the individual’s attendant deity retains some of the originary power suggested by the imposition of the verb creare onto the artist’s work. Before we can properly consider why such an application has been contentious, both theologically and in the attempt to understand what we mean by the poiesis of mythopoiesis, we must consider what Christian theologians classically have meant by ‘creation’ at all.
This chapter discusses the creation of the intelligible world, which comes to being through the formative activity of the Good on its first product. The Great Kinds are dynamically balanced principles, by virtue of which Intelligible Matter received form as Being, Movement achieves Rest, and Difference is united by Identity, thus establishing Intellect, the One-Many. The three crucial principles of the Plotinian metaphysics are outlined: (1) the principle of the microcosm, (2) the imaging principle, and (3) the principle of the triadic selfhood. In light of the first principle, at all the levels of reality there exist individual beings who exist within and are united with the great principles of reality by virtue of two forms of participation. The notions of vertical and horizontal participation are defined. The imaging principle relates to reality consisting of hierarchies of dynamically produced images of higher archetypes. What is expressed participates vertically in its archetype. The third principle is a triadic intertwining of loving and knowing with selfhood. The “negative” or “potential” aspects of the Great Kinds are described as the metaphysical seeds of evil and fall.
This chapter explores the relationship between Christianity and ecology in Clare’s poetry, letters, and biblical paraphrases. Critics tend to secularize Clare’s writing and so overlook its biblical, religious, and metaphysical content. The chapter redresses this by assessing Clare’s early Christian faith, his relationship to Wesleyan Methodism and the Ranters, his distrust of organized religion, and his divine ecology as an expression of rural Christianity. Clare looks beyond pantheism and natural religion to identify an interwoven and sacred creation inseparable from the parish. As such, Clare valued Christianity as a ‘religion that teaches us to act justly to speak truth & love mercy’, a social and ecological politics embedded in prayer, mystery, scripture, and faith.
With its many voices that are joined together, Isaiah is akin to a massive choir or symphony, and it sometimes strikes dissonant notes. Matthew R. Schlimm, in “Theological Tensions in the Book of Isaiah,” looks at a number of different themes on which the book contains contrasting testimonies: God is portrayed as both a loving savior and a wrathful punisher; God is said to be a mighty sovereign, and yet humans frequently do not act according to his will; God is universal and transcendent, and yet is also portrayed as intimate with his people, particularly Zion; humans are sometimes seen as pervasively sinful, but are exhorted to do good; the creation, too, is sometimes good and blessed, and yet elsewhere seen as corrupted; and the same leaders and empires are alternately condemned and used as divine agents. Schlimm reflects on the way in which these complexities press readers beyond simple answers.
Karl Barth is one of the most influential theologians of the past century, especially within conservative branches of Christianity. Liberals, by contrast, find many of his ideas to be problematic. In this study, Keith Ward offers a detailed critique of Barth's views on religion and revelation as articulated in Church Dogmatics. Against Barth's definition of religions as self-centred, wilful, and arbitrary human constructions, Ward offers a defence of world religions as a God-inspired search for and insight into spiritual truth. Questioning Barth's rejection of natural theology and metaphysics, he provides a defence of the necessity of a philosophical foundation for Christian faith. Ward also dismisses Barth's biased summaries of German liberal thought, upholding a theological liberalism that incorporates Enlightenment ideas of critical inquiry and universal human rights that also retains beliefs that are central to Christianity. Ward defends the universality of divine grace against Barth's apparent denial of it to non-Christian religions.
How do stories change the way we see both ourselves and the world? That question is the starting-point of this accomplished new contribution to narrative theology. Dr Shamel addresses what he calls mythopoieic fantasy: the fictionalised myth-making occupying those twilight borderlands between contemporary secularity and a religious worldview. Exploring key writers such as J. R. R. Tolkien, Terry Pratchett, and J. K. Rowling, the author argues that the mythic turn of popular culture signals an ongoing hunger for something 'more': more dense, more present, more 'real'. For Dr Shamel, mythopoieic fantasy and Christian theology represent the same human impulse: a desire to participate in the divine. Despite the avowed secularity of many authors of fantasy literature, the creativity of their mythic fictions reveals something of the theological character of all human making. The stories we tell in order to encounter the world as meaningful, argues Dr Shamel, in fact emerge within a theological horizon.
Economics is not just about the allocation of scarce resources – how to ‘divide up the pie’. It is also about the creation of novelty, and the formation of new structures – how to make a pie in the first place. The new science of complexity, allied to old ideas of political economy, can help us understand how to create and change things quickly and at large scale. New economic thinking of this kind predicted the global financial crisis, but has barely begun to be applied to policy. It could transform the way we respond to climate change.
Although biblical scholars are increasingly turning their attention to the question of God’s body, few clarify how precisely this “body” complicates the long-held claim that God is immaterial. The present article addresses this oversight by attending to the ways in which biblical accounts of God’s body intersect with wider tradents of thought on materiality and immateriality, including, above all, the recent cross-disciplinary “turn” known as new materialism. The article begins by discussing what biblical scholars mean when they say “God’s body” and how biblical theophanies in particular complicate the belief that God is immaterial. It then discusses new materialism and how key emphases in this scholarly shift similarly complicate the belief in God’s immateriality. Third and finally, the article returns to biblical theophanies by reading these accounts through a new materialist lens, focusing in particular on God’s manifestations in material, nonhuman forms. In the end, I suggest not only that biblical theophanies problematize traditional ways of conceiving God within the history of biblical interpretation but also that new materialism can better enable us to see how these accounts portray the relationship between God and embodied materialities.
Die Untersuchung der Schöpfungsthematik in der Didache ist ein Forschungsdesiderat. Daher werden Übersetzungen und Kommentare daraufhin überprüft, welche griechischen Wörter an welchen Stellen schöpfungstheologisch interpretiert werden. Dieses vorläufige Netz der Schöpfungsterminologie wird durch weitere Analysen verfeinert, um einen Gesamteindruck der Schöpfungstheologie zu gewinnen. Im schöpfungsethischen Ausblick wird die Frage herausgegriffen, wie es für die Didache zukünftig mit der Schöpfung weitergeht, was im Horizont gegenwärtiger Herausforderung besprochen wird. Die Didache hat weder ein vordergründig ökologisches Interesse noch eine pauschale Abwertung der gegenwärtigen Schöpfung. Dennoch steckt in der Didache ein ökotheologisches Potenzial.