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This chapter provides examples of how attention plays an important role in our everyday lives. Real-world examples are used to explain the motivations behind cutting-edge attention research being done in neuroscience labs. These include distracted driving, airport security screening, and radar and sonar monitoring. Vigilance and the ability to sustain attention are introduced as critical mental processes for success at certain jobs. The influence of attention on reading and memory, and the choice of whether to study in silence or with music are discussed. Lapses of attention are described, including how these can have a range of consequences, from the brief embarrassment of not knowing what someone just said to us to the potentially fatal effect of not attending to our driving. Theories of joint attention and social-gaze orienting are introduced to explain how our attention is linked to those around us. The purposeful misdirection of a person’s attention, at multiple levels, by skilled magicians is linked to core processes of attention and perception. This chapter also introduces the idea of training attention, including the effects of playing video games, and explains how proper training protocols require detailed knowledge of the mechanisms of attention.
Chapter 4 discusses the sign of the cross, another gesture with a long history going back to the early church. In the Middle Ages the cross was believed to have power to protect against evil, and was widely used both as a gesture of everyday blessing and in rituals and charms of healing. After the Reformation its use was discouraged, but it survived in the Prayer Book rite of baptism, where the minister was instructed to trace a cross on the child’s forehead. This necessitated a radical transformation in its meaning, removing the associations with exorcism and purification and redefining it simply as a symbol of allegiance to Christ. Yet the belief in the apotropaic power of the cross persisted in early modern England and was reflected both officially, in the ritual of the royal touch, and unofficially, in the use of the gesture as a form of protection against witchcraft. Even among theologians who regarded the cross as symbolic, there was still a sense that it was not ‘merely’ symbolic but retained some kind of operative power to effect change.
Gun culture is properly measured by a population's emotional and symbolic attachment to guns and not by rates of gun ownership. Using data from the Baylor Religion Survey (wave 6), we find that nearly all gun owners feel that guns provide them with a physical sense of security (Gun Security), but a distinct and crucial sub-set of owners express an additional and strong attachment to their weapons (Gun Sanctity). Gun Sanctity measures the extent to which owners think their guns make them more patriotic, respected, in control, and valued by their family and community. We propose that Gun Sanctity is a form of quasi-religious or magical thinking in which an object is imbued with unseen powers. To assess this proposal, we look at the extent to which gun ownership, Gun Security, and Gun Sanctity are related to traditional religion and various forms of magical thinking, namely, (a) conspiratorialism, (b) the belief that prayer can fix financial and health problems, and (c) support for Christian Statism, a form of American theocracy. We find that Gun Sanctity is highly predictive of different forms of magical thinking but is often unrelated to more traditional religious practices and beliefs.
How did religious and political debates that had only recently generated violent conflicts become relatively peaceably conducted in growing numbers of publications and clubs?
While the judicial machinery of early modern witch-hunting could work with terrifying swiftness, skepticism and evidentiary barriers often made conviction difficult. Seeking proof strong enough to overcome skepticism, judges and accusers turned to performance, staging 'acts of Sorcery and Witch-craft manifest to sense.' Looking at an array of demonological treatises, pamphlets, documents, and images, this Element shows that such staging answered to specific doctrines of proof: catching the criminal 'in the acte'; establishing 'notoriety of the fact'; producing 'violent presumptions' of guilt. But performance sometimes overflowed the demands of doctrine, behaving in unpredictable ways. A detailed examination of two cases – the 1591 case of the French witch-demoniac Françoise Fontaine and the 1593 case of John Samuel of Warboys –suggests the manifold, multilayered ways that evidentiary staging could signify – as it can still in that conjuring practice we call law. This title is also available as Open Access on Cambridge Core.
One of the most remarkable features of the current religious landscape in the West is the emergence of new Pagan religions. Here the author will use techniques from recent analytic philosophy of religion to try to clarify and understand the major themes in contemporary Paganisms. They will discuss Pagan concepts of nature, looking at nature as a network of animated agents. They will examine several Pagan theologies, and Pagan ways of relating to deities, such as theurgy. They will discuss Pagan practices like divination, visualization, and magic. And they will talk about Pagan ethics. Their discussions are based on extensive references to contemporary Pagan writings, from many different traditions. New Pagan religions, and new Pagan philosophies, have much to contribute to the religious future of the West, and to contemporary analytic philosophy of religion.
War has been a central part of American life in the twentieth century, but paradoxically the historical profession has been deplorably inattentive to its study. Military history is seen as largely a popular genre of history done by amateurs for what academic historians considered an unsophisticated readership. This chapter nevertheless demonstrates the important contributions made by two military historians whose research supported and extended the orthodox interpretation. They showed that American decision makers were influenced by facts on the ground, especially a massive Japanese buildup to defend against an American invasion which helped impel the decision to use the bomb. Military history is increasingly incorporating cultural and social history, recognizing that war embraces much more than politics and is always an expression of culture. We discuss how recent work that integrates military history with cultural and social history has helped it gain more academic respect and has contributed to further understanding of the Hiroshima decision.
This Element takes as its remit the production and use of amulets. The focus will be on amulets with no, or minimal, textual content like those comprising found stone, semi-precious gem and/or animal body parts. That is a material form that is unaccompanied by directive textual inscription. The analysis considers this materiality to understand its context of use including ritual and metaphysical operations. Through discussion of selected case studies from British, Celtic, and Scandinavian cultures, it demonstrates the associative range of meaning that enabled the attribution of power/agency to the amuletic object Uniquely, it will consider this material culture from an interdisciplinary perspective, drawing together insights from the disciplines of cultural studies, religious studies, 'folk' studies, archaeology and Scandinavian studies. It develops the concept of 'trans-aniconism' to encapsulates an amulet's temporal relations and develops the proposition of 'landscape amulets.'
A Greek hymn is selected among other examples in the corpus of Greek ‘magical’ papyri written in Egypt during the Roman Imperial time. Addressed to the Moon goddess in a plurality of forms and names, it draws a complex portrait of a powerful divinity for love affairs. The incantation weaves innovative denominations together with a poetic and ritual tradition in order to enact power. The poet realised a technical ‘tour de main’ to picture a many-faced goddess, tying heavenly and shining traits to the gloomiest and the deadliest, and entangling anthropomorphic characteristics to a patchwork of animal features. The poetic mastery over names and figures offers tools for the making of the divine inside the ritual performance, with the effect of rendering a vivid perception of the Moon goddess encompassing all her aspects.
This chapter uses archaeological theory to enrich readings of Old Norse-Icelandic literature, exploring human interactions with the physical world during the Viking Age. The focus is on artefacts, buildings and constructed places in the landscape. The chapter begins with a survey of Viking Age material culture studies, emphasizing the move beyond data collection to ways of probing meaning and highlighting new areas of archaeological research and theory, including landscape archaeology, geophysics and laboratory-based techniques such as isotopic analysis. Theories of landscape and the social significance of the physical world are discussed, and also the way materials, methods of construction, and the form and decoration of material culture carry meaning. The role of diaspora studies is also explored. The chapter continues with an analysis of three particular kinds of object – swords, brooches and combs – and moves on to consider acts of transformation and the magic associated with objects, especially hoards and ritual deposition. There are sections on the construction of Viking Age buildings, ships and mounds and what they can tell us about life in the Viking Age.
The terms 'witch' and 'witchcraft' have been used to mean many different things over the years. In the twentieth century, some people began referring to themselves as witches and espousing esoteric new religions that they called witchcraft. Some of these new religions – most notably Wicca – were forms of modern Paganism, devoted to the veneration of ancient divinities. Others constituted types of Satanism or Luciferianism, embracing the early modern idea of the witch as a Devil worshipper. Recent years have seen growing numbers of Black Americans who practice African diasporic religions adopt the term 'witch' too. This Element explores why the image of the witch is so appealing to numerous people living in modern Western countries, examining how witchcraft offers people a connection to the past, a vehicle for liberation, and a means of empowering themselves in an often-troubling world.
Apuleius’ tale of Cupid and Psyche is shown to feature detailed knowledge of ancient magic integrated into the plot, especially the magic of the so-called ‘Sword of Dardanus’ spell and of other papyri with Middle Platonic content. A recently published gemstone from Perugia testifies to the wide distribution of the ‘Sword’. Apuleius’ allusion to the erotic spell involves both Cupid and Venus torturing Psyche. Although Venus’ intentions are to prevent the bond between the lovers, her actions inadvertently echo those depicted in the ‘Sword’ and contribute to the couple's eternal union. Ancient magic is therefore shown to be potent and effective, despite Venus’ plans. This is a methodology Apuleius is known to use widely, for example in his obvious allusions to, and adaptations of, Hellenistic poetry in the story. Magic joins poetry and philosophy as a category of texts shown to be playfully integrated into Apuleius’ construction of the plot of Cupid and Psyche.
The 13th-century Arabic grimoire, al-Sakkākī's Kitāb al-Shāmil (Book of the Complete), provides numerous methods of contacting jinn. The first such jinn described, Abū Isrā'īl Būzayn ibn Sulaymān, arrives with a donkey. In the course of offering an explanation for his ritual, this Element reveals the double-sided nature of asinine symbology, and explains why this animal has served as the companion of both demons and prophets. Focusing on two nodes of donkey symbology—the phallus and the bray-it reveals a coincidentia oppositorum in a deceptively humble and comic animal form. Thus, the donkey, bearer of a demonic voice, and of a phallus symbolic of base materiality, also represents transcendence of the material and protection from the demonic. In addition to Arabic literature and occult rituals, the Element refers to evidence from the ancient Near East, Egypt, and Greece, as well as to medieval Jewish and Christian texts.
There is a common perception that creativity is associated with psychopathology. Previous studies have shown that members of creative groups such as comedians, artists and scientists scores higher than the norm on psychotic traits, and scientists in STEM (science, technology, engineering and mathematics) fields score highly on autistic traits.
Aims
To test whether magicians, a creative group that has not been studied before, also score highly on psychopathological traits and autism, and to test the associations of creative self-efficacy and creative identity with schizotypal and autistic traits among magicians.
Method
A sample of 195 magicians and 233 people from the general population completed measures of schizotypal traits (Oxford–Liverpool Inventory of Feelings and Experiences) and autism (Abridged Version of the Autism-Spectrum Quotient), as well as the Short Scale of Creative Self. Magicians were also compared with other creative groups with respect to schizotypal traits, based on previously published data.
Results
Magicians scored lower than the general population sample on three of the four schizophrenia measures (cognitive disorganisation, introvertive anhedonia and impulsive nonconformity) but did not differ with respect to unusual experiences or autism scores. Magicians scored higher on creative self-efficacy and creative personal identity than the general sample. Magicians’ scores on schizotypal traits were largely lower than those of other creative groups. Originality of magic was positively correlated with unusual experiences (r = 0.208), creative self-efficacy (r = 0.251) and creative identity (r = 0.362).
Conclusions
This is the first study to show a creative group with lower scores than norms on psychotic traits. The results highlight the unique characteristics of magicians and the possible myriad associations between creativity and mental disorders among creative groups.
'Sacramentality' can serve as a category that helps to understand the performative power of religious and legal rituals. Through the analysis of 'sacraments', we can observe how law uses sacramentality to change reality through performative action, and how religion uses law to organise religious rituals, including sacraments. The study of sacramental action thus shows how law and religion intertwine to produce legal, spiritual, and other social effects. In this volume, Judith Hahn explores this interplay by interpreting the Catholic sacraments as examples of sacro-legal symbols that draw on the sacramental functioning of the law to provide both spiritual and legal goods to church members. By focusing on sacro-legal symbols from the perspective of sacramental theology, legal studies, ritual theory, symbol theory, and speech act theory, Hahn's study reveals how law and religion work hand in hand to shape our social reality.
This final chapter extends the argument in chapter five by investing the “Prince of Torah” section in the earliest Jewish mystical corpus known as the Hekhalot literature. It reads through the extended narrative of this text through the genre of a historiola, demonstrating that the rhetoric through which it separates between a “human, earthly” Torah and a “divine Torah” resonates with the manner in which Neoplatonists, Manichaeans, and “Jewish Christians” distinguished between “mere prognosis” and “divine prognosis” in chapter five. Not only does this text present the reader with a way of elevating his own learning faculties to be more like the angels, but Torah itself is conceptualized as something that is “instantly knowable” in a moment of divine comprehension.
When grappling with the extremely uncertain world in which they lived, Byzantine people felt able to choose within a pluralistic mixture of practices and a distinctly diverse set of attitudes, theories, and methodologies. Thinking about ‘drugs’ in Byzantine magic thus involves an exploration of one small part of the fluid spectrum of possible responses that were open to people faced with ill health. Although modern scholars may once have considered these responses under such discrete headings as rational, spiritual, and magical, it is now widely recognised that such distinctions are not applicable. What constituted a drug for the Byzantines, how it was thought to work, and how it might be administered seem to have involved a considerably broader conceptual framework and range of practice than our own. Looking at specific examples of the use of ‘therapeutic substances’ in later Byzantine magic may help us understand this difference.
In The Guide to the Perplexed III.37, Moses Maimonides attacks pagan ‘medical’ practices which give a sheen of efficacy but are ultimately dependent on magic and astrology. Nonetheless, he allows certain exceptions found in late antique rabbinic literature which have been proven through experience – even if they are not ‘prescribed by reason’. His preference for empiricism over principles or causes is noteworthy. In this, Maimonides follows others such as al-Ghazālī who prized Galen’s medical empiricism over medical theory. In this chapter I examine these exceptional cases in light of the literature of antiquity in order to discuss their efficacy. I also reveal how Maimonides’ begrudging acceptance of experience over theory also underpins his ‘proof’ of the creation of the world – which also ultimately turns to Galen. Thus, I reflect on the importance of Maimonides’ loyalty to Galen’s experimental method for both physics and metaphysics, showing methodological continuities across different domains.
This article offers a first survey of a novel genre of grimoires published in Urdu-reading India in the early twentieth century. It contained a wide selection of magic material from Islamicate and Tantric sources as well as Western parapsychology and spiritualism. Its applications ranged from remedies of last resort in illness, relationship troubles, and other life problems to common household cures and magical tricks performed for pleasure alone. Produced and read by members of all religious groups in North India, this material indicates important changes in popular attitudes towards magic. Magic by no means declined at the beginning of the twentieth century, but flourished as a viable commercial print genre that became increasingly detached from religion.
Historians of Islamic occult science and post-Mongol Persianate kingship in the Ottoman, Safavid, and Mughal Empires have in recent years made clear just how central this body of knowledge was to the exercise of imperial power. Alongside, scholarship on tantra has pointed to its diffuse persistence in the early modern period. But what dynamics beyond courts and elite initiates did these investments in occult science and tantra unleash? Through a focus on the seventeenth-century Mughal court and the Rajput polity of Marwar in the eighteenth century, this article weaves together the history of animals with that of harmful magic by non-courtly actors. It demonstrates the blended histories of tantra, Islamicate occult sciences, and folk magic to argue that attributions of liminality encoded people, animals, and things with occult potential. For some, like the owl, this liminality could invite violence and death and for others, like expert male practitioners, it could generate authority. By the eighteenth century, the deployment of practical magic towards harmful or disruptive ends was a political tool wielded not only by kings and elite adepts for state or lineage formation but also by non-courtly subjects and “low”-caste specialists in local social life. States and sovereigns responded to the popular use of harmful magic harshly, aiming to cut off non-courtly access to this resource. If the early modern age was one of new ideologies of universal empire, the deployment of occult power outside the court was inconsistent with the ambitions of the kings of this time.