Shelley has traditionally been associated with radical atheism and freethought. This chapter places those movements in a wider context by tracing historical definitions of religion and atheism. It suggests that Shelley’s doctrine of Love moves beyond atheism and the radical enlightenment that influenced Shelley’s early verse. The entry concludes with a discussion of the Victorian Shelley, capable of being understood as a non-doctrinal spiritual guide whatever his private opinions were. This leads to some reflections about how scholars define and analyse religion in literary texts.

This chapter offers a critical appraisal of two dominant approaches to pluralism, conflict, and difference in contemporary political theology, both of which draw on the thought of Augustine. Postliberal Augustinianism, represented by the “Radical Orthodoxy” of John Milbank, develops a highly sophisticated account of the metaphysics of human sociality, grounded in a creative reading of Trinitarian theology which construes political community in terms of harmonious difference. Augustinian civic liberalism, represented by Charles Mathewes and Eric Gregory, draws on Augustine’s understanding of love and difference in order to propose an ethics and ascetics of liberal citizenship. Both, however, thematize political community and difference in essentially oppositional terms, privileging one or the other, and reading conflict in decidedly negative terms. The limits of these political theological strategies reveal a need to reconceptualize the nature of political community and the place of conflict therein.

In this final chapter, I explore how the experience of democratic conflict might be conceptualized by religious traditions in theologically and ethically meaningful ways. I return to the Augustinian tradition and its understanding of love as a resource for thematizing agonism theologically. First, I consider the role of love in Augustine’s moral psychology and political theory, showing how pluralist politics can be understood as a practice of discovering and pursuing “common objects of love” amidst difference. Next, I analyze the notion of political friendship in Augustine and Aristotle in order to show how social relations around these common objects of love might incorporate forms of conflict, disagreement, and parrhesia that are ordered to tending these common goods. I conclude by looking at two figures who extend Augustine’s political theology of love in distinctly liberative directions under the notion of enemy-love. Gustavo Gutiérrez and Martin Luther King, Jr., I argue, develop accounts of the imperative to love the enemy in ways that encompass forms of confrontation, opposition, and conflict in seeking to convert enemies to friends.

In the Good Samaritan parable, the victim suffering from an assault and the passing Samaritan who cares for him are inspired by two different facets of Joseph’s life. Joseph was a victim, beaten up by his brothers and thrown into a pit. Later, as the ancestor of the Samaritans, he was the rescuer of the Egyptians and his family from famine.

The Joseph story has money the brothers paid for grain surreptitiously returned to their sacks, in some sense a loan only but, as it turned out, an act concealing a gift, which led to reconciliation. Topics in the Two Debtors parable covering debt, sin, and forgiveness rework these features of the Joseph story.

This ethnography explores violence in relationships in Sierra Leone, using the ‘teeth and tongue’ metaphor to reveal the complex interplay between love and violence, particularly in gender dynamics. It examines how global agendas lead some states to extend regulatory control into intimacy, often perpetuating neo-colonial mechanisms. The study probes the clash between rigid state laws and the nuanced intricacies of lived experiences, analysing the impact of ostensibly impartial rights discourses. The book analyses the effects of external violence on relationships (Chapter 2), contemporary relationship dynamics in Freetown (Chapter 3), and critiques prevalent conceptualisations of love and violence phenomenologically (Chapters 4 and 5). It then examines the mediation and regulation of violence by households and communities (Chapter 6), state courts for adults (Chapter 7), and the legal treatment of minors (Chapter 8). The book traces the impact of new legislation on young men who were imprisoned and their partners (Chapter 9).

Does the conception of worship – in expressing, as it does, a direct relationship with God – prevent an understanding of love for God as mediated by love for humans? Taking the latter to be an existential model of one’s relationship with God, in this chapter I answer in the negative to the above question by demonstrating the role that worship plays in such a model. To do so, I turn to Kierkegaard’s image of “resting transparently” in God. For Kierkegaard, this image represents what he perceives as the highest possible state of the believer’s relationship with God; a state that is achieved, according to Kierkegaard, when one becomes the self – the individual – that God intends one to be. And how does one become this self? By loving properly the neighbour (that is, another individual). The suggestion I develop in this chapter is that it is the worshipping of God – that is, by being in a state of respect and attendance to God’s will – that directs one in loving properly the neighbour. Hence, it is worship of God that paves the way to fully loving the neighbour and thus to fully loving God.

In Hopkins’s writing, eroticism centres on eros or amor and loving the body of Christ. In the framework of Hopkins’s spiritual eroticism, eros or amor is love. Understanding the significance of love and the body in Hopkins’s writings – his poems, sermons, spiritual writings, diaries, essays, and letters – allows us to come to a fuller understanding of his relationship with Christ. Hopkins’s vow of celibacy afforded him the freedom to express his passion for Christ through romantic and sexual tropes such as touching hands, melting and merging subjects, beating hearts, magnetic attraction, mutual gazes, kisses, embraces, fecundity, and homecoming. We shall look at some of these tropes in this chapter, many of which can be traced back to ancient Greece and the early church fathers. Ultimately, Hopkins wrote about erotic desires and tactile pleasures in a manner that was broad and expansive.

In Chapter 9, I discuss the next two chapters of the Itinerarium (Chapters 3 and 4), those that correspond to the second pair of the Seraph’s wings, those around the angel’s body. These represent the vision of God we get from looking at the image we find of God “inside” us in our intellectual powers — those made possible by reason alone (such as memory, understanding, and will) and those infused by grace (such as faith, hope, and love). I show why these two chapters are the most complex and difficult in the entire book.

This chapter treats love, desire and eroticism, arguing that eros and philotes serve as metapoetic structuring principles of epic narrative. It begins with a preliminary survey of the foundational texts, focusing on the scene of Helen at the loom as she weaves a tapestry of warriors in battle, essentially a figuration of the Iliad as an artistic product of sexual longing. The chapter then moves forward to consider how these same erotic structuring principles play out in imperial Greek epic, which absorbs Homer’s models through the filter of romantic fiction. Smith focuses on the first three books of Quintus of Smyrna’s Posthomerica – the events surrounding Penthesileia, Memnon, and the death of Achilles – reading them as flirtatious manipulations that intensify readerly anticipation, and then turns to Nonnus’ Dionysiaca, specifically the tendril imagery in the Ampelos episode and its sequel, the romance of Calamus and Carpus. These episodes serve as exemplars of the regenerative powers of epic desire.

Moving to Edinburgh from Glasgow to study medicine at the age of 17. A brief description of teaching methods as they were then. My experience of psychiatry as a medical student, and a discussion of self-harm. Met my future husband, who was to spend a lot of his life as an agricultural economist, working in Mexico.

The Conclusion draws together the themes of the book, and expands on how the foregoing discussions of art relate to ordinary life and love. Expanding the categories of ‘finding’ and ‘making’ by that of ‘receiving’, it sketches a constructive vision of the theological imagination.