Chapter 3 guides the reader inside parties by examining how candidate nominations, leadership selection, and policy platforms operate in modern democracies around the world. Kernell examines variation among these rules both within and across countries, as well as over time, and proposes a coding methodology for defining the degree of membership influence in each of the three primary dimensions. The chapter also discusses case selection and data collection.

This study examines the role of art as a crucible of capital and property during the First World War and constructs a large-scale historical narrative of European auctions held between 1910 and 1925. By combining sources such as auction reports, newspaper articles, caricatures, individual memoirs, and financial and legal documents with an analysis of art prices, this study allows for making new observations about the evolution of European art markets, their disruption by the events of the First World War, and their transnational entanglements. Far from focusing solely on reconstructing the collecting patterns of prominent individuals or shedding light on specific histories of appropriation and looting, this book explores broader cultural and social developments across the British, French, and German art markets and their milieus and also touches upon trade spheres such as Italy, Switzerland, the Netherlands, Scandinavia, and Russia. While the First World War has often been neglected in scholarly studies as a phase of stagnation and stasis, this study shows that it had a disruptive impact on the art trade in the twentieth century and introduces a new transnational methodology for historical inquiries into cultural and artistic markets.

Vanessa Vroon-Najem reviews the growing scholarship on women’s conversion to Islam in the West. Drawing on years of ethnographic fieldwork with Dutch female converts to Islam, she demonstrates how initial conversions often stem from the appeal of classical Islamic reasoning on gender norms. Over time, these women learn to respect core values while making adjustments on secondary matters, enabling them to engage with a wider society that remains skeptical of their newly acquired Muslim identity.

This research explores the extent of private law and the influence of private entities in healthcare in Europe. The three-part analysis reveals a complex interplay between different health system structures, laws, and influences. First, it highlights four distinctions between Europe and the United States (US) concerning universal health care, the role of government, private insurance, and the legal framework for disputes. Second, it considers the role of private law in resolving disputes in Europe. Ultimately, this research calls for further research to close those gaps in the literature concerning the number and scope of health disputes governed under contract law and the laws that health lobbies have influenced. Third, it emphasizes the influence of private healthcare lobbies in Europe and provides a case study of their influence on the United Kingdom’s (UK) health landscape.

This chapter argues that recent global histories of Europe represent one specific mode of global awareness in a long history of European global historical and social scientific consciousness. European history after our most recent “global turn” must take into account previous modes of global consciousness and examine how globalization has been shaped by this knowledge. Past understanding of global interconnectedness did not necessarily lead to more open borders, increased interdependency, or growing cultural fluidity. Dis-integrating and downscaling modes of social organization were invented and reinvigorated in response to perceived global forces. There were also conscious attempts to channel the fruits and accumulations of global processes based on an awareness of their potentially enriching and destabilizing impact. These efforts to take control of globalization did not stop it, but they did give it a specific shape in particular moments. This chapter argues that the half-century following the French Revolution witnessed what might be called a deglobalizing globalization: a moment when the global integration that many considered responsible for the upheaval of the Revolution did not stop but was redirected in the service of a sovereign nation through the birth of new modes of social science and history writing.

Why did European history come so late to the global turn? Europe’s past had of course always been constructed relative to its Islamic or Mongol peripheries, and later its colonial offshore. But only recently has it been understood that European and extra-European history are in a dynamic relationship of reciprocal influence. Intellectual and economic history recognized this before social history, which in its post-1960 flowering took it for granted that European social forms were both more advanced and categorically different from others. During the 1970s and 1980s, however, a generation after political decolonization, new work began to explore the impact of peripheries on the European core and to measure Europe from the outside. After 2000, a globalized European social history became visible. Its evasion of the constraints of the national paradigm has opened up striking new pan- and trans-European historical projects and methods. These are provoking new questions of how we might reconfigure European history in ways which understand eastern and central Europe in their own terms, rather than simply as the retarded extensions of “advanced” western European phenomena.

European history has been defined as a field by a notion of Europe – its borders, values, civilization, and nationalities – that is structured by Christianity and its secular legacies. Rather than seeking to globalize the history of Europe by considering the impact of European Christianity on other parts of the world, and how it was impacted by them, this chapter challenges that narrative. It asks how the historiography of Europe can be integrated with the historiographies of Europe’s historic non-Christian populations, namely Jews and Muslims. These are historiographies with their own rhythms, conceptual frameworks, and geographies in which Europe carries quite different connotations. They shift our attention from the north and west to the south and east, enjoining us to think differently about Europe and the diversity that has always existed within it. Separately, these historiographies speak to very different experiences. Taken together, they help us to think differently about the interface between Europe and the world and to write the history of Europe itself against the grain.

Benefitting from a wealth of pathbreaking scholarship that often focuses on macro-level histories, this chapter advocates zooming in on individual interpretations and experiences. By doing so, it argues, historians can open up nuanced perspectives that risk becoming submerged in studies where, rather paradoxically, actual migrants are displaced by an emphasis on overarching migration phenomena. Taking the late modern era as its focus, it traces the global dimensions of two lives spanning almost two centuries to open out broader questions, not least about race and ethnicity. Jacob Riis (1849–1914) and Gérald Bloncourt (1926–2018) were both leading documentary photographers who shared a deep commitment to social reform and the amelioration of working-class conditions. Each recorded migration histories on camera and in writing, thereby enabling an analysis of multimedia representations emanating from the same source. That both were of migration backgrounds themselves – Riis having moved from Denmark to the United States and Bloncourt from Haiti to France – renders the images and texts they created particularly resonant. Their own origins and mobile lives proved crucial to their interpretations of the wider flows of people that have connected Europe with different global settings – and continue to do so today.

This chapter explores the global entanglements of Europe’s musical past, showing that the continent’s music culture has never been isolated and has always been shaped by global influences.

This chapter reviews how historians and economists have thought about the economic history of Europe. It notes that internal explanations that paid little attention to the non-European world have been dominant for more than a century and reviews some of the reasons for that Eurocentrism. Such navel-gazing, however, has also been increasingly challenged for some time now, at first especially by non-European scholars and activists. The latter parts of the chapter explore current debates within the discipline and its increasing acknowledgment of the interactions between European and non-European economies. Two areas of discussion that have played a crucial role in this evolution are detailed in particular: The question of the role of slavery in European economic development and the rich debates taking place in the relatively new field of global labor history. Overall, efforts to write the economic history of Europe confined to its own ill-defined boundaries might serve particular political needs, but they are, in fact, historically inaccurate.

This chapter offers a reflection on the historical study of modern Europe’s entanglements with the wider world. It explores the ways in which European history can be integrated into global history, considering Europe as not only an engine but also a product of global transformations. Providing a broad historiographical overview, it discusses the impact of the “global turn” on different fields of modern European history, including political, economic, social, intellectual, and environmental history. It argues that global history represents not only a challenge but also a huge opportunity for Europeanists to open up modern European history. This will ultimately help us reshape our understanding of the boundaries of Europe – and the field of European history itself. In other words, it will allow us to deprovincialize Europe. More generally, the chapter also engages with broader questions about continents (and other spatial units) as ontological categories in historical studies.

Global art histories predate the emergence of art history as an academic discipline in the early nineteenth century. This chapter considers their emergence in the seventeenth century against the background of religious and political controversy, Enlightenment quests for the origins of human culture, expanding trade empires, and colonialism. Three varieties of world art histories written in Europe can be distinguished, which succeed in chronological order but do not entirely replace each other: those driven by religious considerations; global concept-based projects inspired by nineteenth-century developments in psychology, anthropology, or the life sciences; and globalization studies. All three varieties start from a Western perspective, but the emerging field of global rococo is one of the most promising attempts to develop a history of the global entanglement of European art.

Since the 2010s, the writing of European history – in both its incarnations, as the history of Europe and as the histories of nations in Europe – has seen fundamental transformations. Though it has been adapted in different ways, the global turn has deeply affected the historiography produced in many European countries. On the one hand, crucial watersheds of European history have been reinterpreted as part of larger configurations and as responses to global challenges. On the other hand, it is now clear that Europe’s claim to unity and cohesion was reinforced, not least, by observers from without. In the late nineteenth century, in societies across Latin America, Africa, and Asia, contemporaries began to refer to a “Europe” that was less a specific location than a product of the imagination; the result less of geography or culture than of global geopolitics. What emerges, then, is an understanding of the history of the continent that places it firmly in the context of global conjunctures and repeated moments of reterritorialization.