Since its inception in 1831, the French Foreign Legion, a specialised unit within the ranks of the French military, has played a prominent role in the wars of both colonisation and decolonisation. This article seeks to trace the origins, development and eventual decline of an Italian and international ‘Legionary issue’ regarding the recruitment and employment of Italian volunteers in a foreign military force deployed in the French decolonisation war in Indochina. Through the examination of archival sources as well as autobiographical narratives by Italian legionnaires, this study offers a novel perspective on the interplay between Italy’s political, economic and sociocultural trends, the enlistment of Italian volunteers into the French Foreign Legion, and the evolution of Italo-French relations in the postwar period.

In the autumn of 1934, Bishop Johannes Geisler of Brixen/Bressanone denied two Italian-speaking priests, Carlo Torello and Giuseppe Ricci, permission to teach within his predominantly German-speaking diocese. In response, Benito Mussolini threatened to expel all Church representatives from the state education system and, by extension, to unravel the recently signed Lateran Accords. Untangling the motivations behind Geisler’s decision, the escalating tensions it precipitated, and, ultimately, the discussions that led to its quiet resolution reveal much about Fascist and Church ambitions in the newly annexed territory of Trentino-South Tyrol. This ‘Torello-Ricci Affair’ provides a micro-historical lens with which to better understand the political and cultural infrastructures of power in interwar South Tyrol and their relationship to institutions in Rome. In particular, it illustrates the ongoing battle between civil and religious officials to assert moral authority within the region, most importantly as it regarded the education of its children.

The aim of this article is to analyse the Italian Nuova Destra. The first part examines the birth of the Nuova Destra within the current of the Movimento Sociale Italiano (MSI), referring particularly to Pino Rauti, a founder and leader. Following the experience of the magazine La Voce della Fogna and the Hobbit Camps, the first publishing initiatives of the Nuova Destra – Diorama letterario and Elementi, influenced by Alain de Benoist and the French Nouvelle Droite – were established. The second part analyses the path of the Nuova Destra as an autonomous cultural current. After Marco Tarchi’s expulsion from the MSI in 1981, the Nuova Destra launched an aggressive publishing strategy that failed to make the necessary organisational leap and came to an end around 1994. Nevertheless, the Nuova Destra has created a recognisable current, culturally eclectic and capable of ranging over different fields of knowledge with ‘metapolitics’ and ‘right-wing Gramscism’.

When did fascism end? Did it end in July 1943, with the fall of Mussolini from power, or in April 1945, with Liberation Day? The argument of this article is that fascism was not simply a historical experience but a political form that attempted to transcend Italy’s social and political fractures with fantasies and unrealistic but nevertheless captivating expectations. Its hypnotic contagious power cast a mimetic spell that can be continuously reloaded: by blurring the boundaries between truth and lies; by exploiting crowd irrationality; by establishing boundaries between outsiders and insiders; by perpetuating negative sentiments of hostility, fear and envy within society; and by manipulating time. The argument, therefore, is that fascism has never ended, not merely in the sense of political and cultural continuity, but in the deeper sense of immanency within the body politic of Italy’s democracy. As such, it is meaningless to wonder whether fascism might come back. It is here and now, in the only form that current historical circumstances allow it to exist – and yet it might be countered by a process of rejection that individuals and political communities can and should exercise in their everyday life, adopting the political form generated by the Resistance.

During the Second World War, hundreds of thousands of American soldiers of Italian origin were drafted into the US military and sent to fight overseas against the Axis powers. For many, this was an opportunity to demonstrate their loyalty to the country and remove suspicions raised by Italian communities’ ties with the Fascist regime. The prospect of fighting in their homeland aroused mixed feelings among those who were sent to Italy from June 1943. On the one hand, the presence of cultural and family ties stimulated the establishment of supportive relations with Italians and was seen by Washington as a useful tool for promoting ‘good occupation’ policies in Italy. However, the ethnic background of these soldiers did not always act as a socialisation factor with Italians, but sometimes gave rise to contradictory and even hostile attitudes that were linked to harsh judgements about Italians’ responsibilities for Fascism and their predisposition, or otherwise, to democracy. This article reconstructs the contribution made by these ethnic personnel to the liberation of the peninsula and the particular views they held of Italy and Italians between war and liberation.

This study examines the political communication strategies of the Italian Marxist-Leninist and neo-Stalinist party, Sovereign and Popular Democracy (DSP), through a qualitative thematic analysis of its online discourse. The analysis identifies the core elements of the party’s agenda and assesses their potential alignment with the red-brownist movement, often linked to the pro-Russian far right. The research investigates the historical and political intersections between the Stalinist communist sphere and the postfascist Eurasianist and red-brownist factions. Particular attention is given to their shared anti-Western stance and historical connections to ‘left-wing fascism’ in the post-Second World War era. Italy provides a crucial case study, given its postwar role as a hub for radical movements on both the left and the right. The analysis also considers the ideological trajectory of the Italian far-right, particularly the Jeune Europe movement, to situate DSP’s discourse within broader historical and ideological frameworks.

This article uses the hitherto partially unpublished diary of Virginia Minoletti Quarello and her husband Bruno Minoletti to shed a light on the Resistance and on the transformation of Italian politics after the war from an original angle. Virgina and Bruno, members of the Italian Liberal Party, played a central role in the Resistance and in consolidating the network of the Liberal partisans led by Edgardo Sogno, first in Genova, where their house hosted the local National Liberation Committee, and then in Milan. Their diary offers new perspectives on events and processes that preceded and followed 25 April 1945: from the arrival of the Allies in Milan to the killing of Mussolini and the display of his body in Piazza Loreto; from the struggle and division within the antifascist front to the marginalisation of the Liberals; from internal conflicts in the Liberal Party on the institutional question to the value of the Resistance.

In December 1959, several episodes of antisemitism occurred in West Germany. These events spread rapidly to other countries and were dubbed by newspapers the ‘swastika epidemic’. In Italy, the episodes sparked intense debate among the main political forces of the time, framing the interpretation of antisemitic episodes within a context that considered the comparison between the two countries, while also being influenced by the political transition of centrist governments shifting to the left and the transition of religious opinion on Jewish-Christian relations. The general and unanimous condemnation of antisemitism was accompanied by various interpretations of the racism of Fascist Italy and the historical responsibilities of the Catholic world. The result was an extremely fragmented picture, but with significant political and cultural implications in a year that would see the explosion of political violence.

This article uses the postwar trial of Fascist Italy’s most prominent general, Rodolfo Graziani, to examine issues of transitional justice and the formation of popular memory of Italian Fascism and colonialism after 1945. During the Fascist ventennio, the regime constructed Graziani as the nation’s colonial ‘hero’ despite his leading role in genocidal measures during Fascist Italy’s colonial wars in North and East Africa. His position as minister of defence in Mussolini’s Nazi-backed Salò Republic in 1943–5, however, threatened his heroic reputation as he worked with Nazi commanders and became responsible for atrocities against Italian civilians. After the Second World War, Graziani was tried for Nazi collaborationism at the Supreme Court in 1948, but his colonial conduct was left unquestioned. Unlike in the Nuremberg Trials in post-Nazi Germany, few Italians were tried for war crimes after 1945. This historical inquiry analyses the legal proceedings, transnational representation and outcome of Rodolfo Graziani’s 1948 trial as an emblematic case study to explore de-fascistisation and decolonialisation initiatives and their limitations in post-Fascist postcolonial Italy.

This article examines the causes and geographical trajectories of the globalisation of vermouth, one of the most famous Made in Italy products in the world. Of all the fortified wines, vermouth stands out for its unique history. Originally a product of Piedmont consumed mainly by the aristocracy and the emerging bourgeoisie, vermouth became the subject of a growing export trade between the nineteenth and twentieth centuries, gaining credibility thanks to the prizes won at international exhibitions and the marketing strategies of the main companies in the sector (Martini & Rossi, Carpano, Gancia, Cinzano). Despite the commercial difficulties it experienced in the twentieth century as a result of protectionist measures, the effects of war, the heterogeneous policies applied to the alcoholic beverage industry and widespread imitation and counterfeiting, vermouth has managed to maintain an appeal that has made it an international icon and one of the most resilient products in the medium to long term. This is partly the result of a media representation that was capable of deeply influencing the collective imagination of consumers.

Ludovico Luigi Nicola di Giura (1868–1947) was an Italian doctor who lived in Beijing from 1900 to 1931. In addition to his medical practice, di Giura actively engaged with the local elite, developed a profound interest in Chinese literature, and contributed to introducing Chinese reality and culture into Italy through journalistic, literary, and translation works. Upon his return to Italy, he constructed a ‘Chinese library’ at his family estate in Chiaromonte, located in the Basilicata region. This article adopts the ‘Heraclitean approach’ proposed by Weingarten (2022) to examine di Giura's personal library, analysing the evolution of both individual and communal cultural longings reflected by his collection and marginalia within the books spanning different periods. Drawing upon the primary sources recently discovered and catalogued from the library, along with archival and bibliographical materials from both Italian and Chinese sources, the paper not only aims to reveal di Giura's intellectual profile, but also aims to utilise his individual experiences as a lens for observing the social and cultural life of Italians in China during the early twentieth century.