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Published online by Cambridge University Press: 24 April 2025
The first chapter sets out the stakes of Auerbach’s understanding of Renaissance art by beginning with “The Philology of World Literature” and ending with Henry James’ sentimental tourist in Venice. To be a sentimental tourist is to live an aesthetic life in history, and this chapter uses this point to sketch out a portrait of Auerbach’s work that emerges from a stress on Renaissance.
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