This chapter surveys both the rich tradition of Renaissance botanical literature and some of the critical strategies currently developing around them: ecocriticism, ecofeminism, and critical plant studies. It focuses on the co-existence of myth and science in Renaissance botanical texts and the capacity of Renaissance literature to clarify the advantages and drawbacks of bestowing personhood on plants. Renaissance literature reveals the socio-political, intellectual, and aesthetic processes by which plants became hostage to two separate cultures: the scientific and aesthetic. The chapter also argues that a properly historicised view of Renaissance plant writing might in some respects make early modern texts more relevant to the present by reviving pre-Enlightenment worldviews and pre-Industrial notions of ecological enmeshment.

There is an enduring tradition that the first Europeans in the Americas and Hawai’i were perceived as gods, a phenomenon known as “apotheosis” or “the act of turning men into gods.” The tradition is especially strong in relation to two historical figures: the Spanish conquistador Hernán Cortés in Mexico and the British navigator Captain James Cook in Hawai’i. It is, however, by no means confined to these two figures. Furthermore, considerable explanatory power is attributed to this divine identification: indigenous peoples apparently submitted before the demonstration of godly power. In the heyday of European imperialism – the nineteenth century and early twentieth century – this tradition was accepted uncritically by western historians. In the wake of decolonization, from the 1950s and 1960s, increasing interest in non-European perspectives on these early encounters caused historians to call this interpretation into question. Three key issues emerge: what evidence is there that such an apotheosis took place? If it did not, how did the tradition arise? And how did native peoples in fact perceive Europeans?

Chapter seven opens with an account of the arrival of Captain James Cook’s expedition at Hawai’i, his association with the native ancestor god, Lono, and his death at the hands of the islanders. It then examines in depth the evidence for Cook’s identification with Lono, and the meaning of the Polynesian concept of mana. The rest of the chapter considers the merits of the two opposing views on how Hawaiians perceived Cook, the “Cook-as-Lono” interpretation, and the “Cook-as-Lono-as-myth” interpretation. It suggests that the “Cook-as-Lono” interpretation may be closer to the realities of Hawaiian ethnography, as long as we bear in mind that Lono, as an akua or “ancestor god” bore little resemblance to the western notion of “God;” and that the binary nature of the discussion (two clashing perspectives) may be a hindrance to appreciating a third interpretation which takes account of both sides. For Hawaiians, there was no inconsistency in seeing Cook as, all at once, a (Hawaiian) god, an ancestor spirit, a sacred high chief, and a man; both human and more-than-human (or human-plus) at the same time.

Chapter 3 examines mythical, historical, and scientific facts. It offers a brief history of East Asian international relations, paying particular attention to the Chinese World Order, the Khmer Empire, and post-colonial Filipino historiography as samples for how to theorize histories from an IR perspective. The chapter discusses war and peace as well as political economy, the subject matters important for East Asian history and IR theory. It also offers a section on impacts and lessons of history, illustrating how history contributes to background knowledge, historiography and belief systems, foreign policy analysis, and IR theory. A better understanding of East Asian history allows us to contextualize contemporary issues without which we may not be able to put together a puzzle. Historical experiences inform our belief system, into which people typically fit new events or factors as explanation. History is evolutionary by nature, whether we frame it that way explicitly or not.

The subject of Chapter 2 is the tradition of the apotheosis in Mesoamerica, principally Central Mexico. The chapter opens with the context of indigenous political and social organization, and a summary of Spanish penetration of Mexico from 1519. There follows a fictive reconstruction of dialogue between the Aztec ruler Moctezuma and his counsellors in order to offer one plausible, source-based scenario for how the ruling elite might have interpreted the advent of the Spaniards on the basis of rational, pragmatic considerations. The chapter then analyzes the response of Moctezuma and the Mexica, outlines the lack of evidence for an apotheosis in the Spanish and native chroniclers, and examines the significance of Nahuatl terminology, in particular the concept of teotl, which was the word often translated as “god.” The Quetzalcoatl myth (the notion of the identification of Cortés with the god Quetzalcoatl) is presented as a post-conquest construct, devised retrospectively to make sense of the momentous events. The tradition of pre-conquest omens is discussed. No evidence is found that the emperor Moctezuma treated Cortés as a god at their meetings.

Chapter three is dedicated to the tradition of the apotheosis in the Andes. It opens with the context of the Inca Empire and the civil war between Atahualpa and Huascar, and a summary of Spanish penetration from 1532. There follows a fictive reconstruction of dialogue between the Inca ruler Atahualpa and his counsellors. The chapter then analyzes the Andean identification of the Spaniards with the god Viracocha, and considers evidence that there are no references at all to the Spaniards as gods, or as associated with Viracocha, from the period of first contact with Andean peoples. There follows discussion of misunderstanding about Viracocha as a creator god. The chapter moves on to analyze two key concepts of Andean thought, camac (“life force”), and huaca/wak’a (“being with transcendent power”) and explores how Andeans used the history of huacas to interpret the Spanish invasion. To call the Spaniards Viracochas did not mean that they were gods in the European sense; rather, it was a way of linking them to the Andean past and the Andean worldview.

This chapter provides a short history of folklore collection and an overview of the genres privileged by Russian folklorists. In the early 1800s, folklorists began writing down, editing, and publishing creative oral performance, primarily that of peasants, because it was thought that these performances reflected ancient traditions that had been passed down for centuries. In the course of transforming oral culture into print collections, genres were identified and codified. The epic (bylina) and the fairytale (skazka) were among the genres most prioritised. Their particular formal features served to anchor a diverse genre system that included historical songs, religious verses, legends, and mythological stories. The chapter identifies characteristic events and stock characters, as well as features of style, structure, and performance typical of these genres of narrative folklore. It concludes by commenting on the reciprocal relationship between folklore and literature.

Examination of the foundation traditions of Magnesia on the Maeander, an Aeolian polis of western Anatolia, and the various Aeolian mythic traditions attached to this city located within Caria.

Focusing on Menippus’ description of his celestial journey and the great cosmic distances he has travelled, I argue that Icaromenippus is a playful point of reception for mathematical astronomy. Through his acerbic satire, Lucian intervenes in the traditions of cosmology and astronomy to expose how the authority of the most technical of scientific hypotheses can be every bit as precarious as the assertions of philosophy, historiography, or even fiction itself. Provocatively, he draws mathematical astronomy – the work of practitioners such as Archimedes and Aristarchus – into the realm of discourse analysis and pits the authority of science against myth. Icaromenippus therefore warrants a place alongside Plutarch’s On the Face of the Moon and the Aetna poem, other works of the imperial era that explore scientific and mythical explanations in differing ways, and Apuleius’ Apology, which examines the relationship between science and magic. More particularly, Icaromenippus reveals how astronomy could ignite the literary imagination, and how literary works can, in turn, enrich our understanding of scientific thought, inviting us to think about scientific method and communication, the scientific viewpoint, and the role of the body in the domain of perhaps the most incorporeal of the natural sciences, astronomy itself.

Discussion of the transfer of cult knowledge from Anatolia to European Hellas in both the Bronze Age and Iron Age, with a close examination of Ephesian Artemis and other Asian Mother-goddess figures with consideration of Ur-Aeolian (= Ahhiyawan) and Aeolian involvement in the process.

An investigation of the Luvo-Hittite dammara- religious functionaries (male and female) and the borrowing of the term into Ahhiyawan (Ur-Aeolian) and, thence, European Mycenaean cult vocabulary as dumartes and its variant damartes (a scribal borrowing), and an exploration of the Anatolian source of the theonym Artemis. The intersection of both the cult title and divine name with Mycenaean dialect variation is carefully examined.

The investigation of Aeolian foundation myths continues in this chapter, with examination of traditions of the founding of Boeotian Thebes. Ancestral Indo-European tradition is again evident, as is an Anatolian stratum, one which foregrounds technological expertise of Asian origin.

Further investigation of the foundation traditions of Metapontium, focusing on the persistence of much more ancient Indo-European mythic traditions and time-reckoning traditions and the presence of those elements in the bricolage that constitutes the Aeolian mythic system of Metapontium foundation narratives and their relationship to Anatolian Aeolian tradition.

A synthetic, concluding discussion addressing the relationship between Ur-Aeolic and Special Mycenean and providing a historical framework for, especially, the introduction of Aeolic language and culture (pre-Thessalian/Boeotian) into European Greece following the Bronze-Age collapses and for the spread of pre-Aeolians (Iron-Age Ahhiyawans) eastward into Cilicia.

An examination of the Anatolian sources of Greek theogonic traditions, syncretistic myths that took shape in admixed Ur-Aeolian–Luvian communities in the Late Bronze Age, and descendent Aeolian assemblages of mythic and cult elements that persist into the Iron Age. Essential to many of these traditions is the presence of honey, especially honey having psychotropic properties of a sort that occurs naturally along the southern and eastern shores of the Black Sea.

An investigation of the Hittite cult implement called the kurša and its relationship to the breast iconography of Ephesian Artemis, to various Greek implements within the context of both Bronze-Age Anatolia and Indo-European cult, and to Aeolian myth as expressed in, especially, Argonautic tradition.

Exploration of the mythic concept of Aia, region of the rising sun, and its Hurrian and Luvo-Hittite background, its introduction to European Mycenaean Greeks by the Ur-Aeolians (Ahhiyawans) of Anatolia, and Aeolian Argonautic elaborations.

Exploration of Aeolian foundation traditions and the localizing of such traditions in both the eastern Aegean and Magna Graecia, and of the reflexivity and reciprocality of Aeolian ethnic identity that these mythic traditions entail.

Investigation of the Bee-nymphs of Mt. Parnassus and the ancestral Indo-European strain and Anatolian strains of divination introduced into European Hellas by migrant pre-Aeolian communities.