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Global art histories predate the emergence of art history as an academic discipline in the early nineteenth century. This chapter considers their emergence in the seventeenth century against the background of religious and political controversy, Enlightenment quests for the origins of human culture, expanding trade empires, and colonialism. Three varieties of world art histories written in Europe can be distinguished, which succeed in chronological order but do not entirely replace each other: those driven by religious considerations; global concept-based projects inspired by nineteenth-century developments in psychology, anthropology, or the life sciences; and globalization studies. All three varieties start from a Western perspective, but the emerging field of global rococo is one of the most promising attempts to develop a history of the global entanglement of European art.
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