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Chapter 8 analyses the use of AI and ADM tools in welfare and surveillance through the lens of critical race studies. Aitor Jiménez and Ainhoa Nadia Douhaibi point to the necessity of building a non-Anglocentric theoretical framework from which to study a new global phenomenon: the digital welfare and surveillance state. Accordingly, the authors frame its rise within the wider context of the Southern European iteration of racial neoliberalism, what they coin as the Islamophobic Consensus. As the chapter demonstrates, the digital welfare and surveillance state does not rely on the same technologies, focus on the same subjects, and pursues the same objectives in every context. On the contrary, it draws on contextual genealogies of domination, specific socioeconomic structures, and distinctive forms of distributing power. The authors provide an empirical analysis on the ways the Islamophobic Consensus is being operationalised in Catalonia and expose the overlapped racism mechanisms governing the lives of racialized black and brown young adults. The chapter demonstrates how ADM technologies designed to govern “deviated”, “risky”, and “dangerous” Muslim youth “radicals” connect with colonial punitive governmental strategies.
The chapter is structured in two parts. The first part analyses the surveillance-governmental automated apparatus deployed over Islamic communities in Catalunya. The second part frames the ideological, epistemological, and historical fundamentals of the Southern European way to racial neoliberalism, here labelled as the Islamophobic Consensus. Drawing on surveillance and critical race studies, the authors synthesise the defining features that distinguish this model of domination from other iterations of neoliberal racism.
Examining the racially white 'others' whom Shakespeare creates in characters like Richard III, Hamlet and Tamora – figures who are never quite 'white enough' – this bold and compelling work emphasises how such classification perpetuates anti-Blackness and re-affirms white supremacy. David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era – and also one to which Shakespeare was himself a crucial contributor. In exploring Shakespeare's determinative role and strategic investment in identity politics (while drawing powerfully on his own life experiences, including adolescence), the author argues that even as Shakespearean theatrical texts functioned as engines of white identity formation, they expose the illusion of white racial solidarity. This essential contribution to Shakespeare studies, critical whiteness studies and critical race studies is an authoritative, urgent dismantling of dramatized racial profiling.
This chapter puts Marxist geography in dialogue with scholarship in critical ethnic studies in order to provide a critical basis for studying the urban geographies of racial capitalism. It focuses on work in black, Chicanx, and indigenous studies that has nuanced and extended the “spatial turn” introduced by scholars such as David Harvey, Neil Smith, Doreen Massey, and Cindi Katz. Discussions of gendered black geographies (Sylvia Wynter, Katherine McKittrick, and Rashad Shabazz), indigenous geographies (Laura Furlan), and Latinx geographies (Mary Pat Brady, Raúl Homero Villa) contextualize the stakes of urban literature by black, Chicanx, and indigenous authors such as Marita Bonner, Danez Smith, Helena María Viramontes, and Tommy Orange.
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