We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
During the thirteenth century, stories began to circulate in Rome of the existence of a female pope. What likely began as popular satire was eagerly picked up by monastic chroniclers who had their own axes to grind. For the papacy, the existence of a female pope – most commonly called Joan – only became problematic after the Reformation, when Protestants saw an opportunity to use these medieval (and therefore Catholic) authorities to challenge the papal apostolic succession and identify the papacy with the biblical Whore of Babylon. The arguments employed by both sides are hugely revealing of how Catholics and Protestants saw themselves and each other. More recently, Pope Joan has moved into the realm of fiction: in film and literature she became a feminist icon. Transgender readings – Joan as man in a woman’s body, rather than a woman in a man’s garment – are bound to inspire new interpretations of her story.
Empire-critical and postcolonial readings of Revelation are now commonplace, but scholars have not yet put these views into conversation with Jewish trauma and cultural survival strategies. In this book, Sarah Emanuel positions Revelation within its ancient Jewish context. Proposing a new reading of Revelation, she demonstrates how the text's author, a first century CE Jewish Christ-follower, used humor as a means of resisting Roman power. Emanuel uses multiple critical lenses, including humor, trauma, and postcolonial theory, together with historical-critical methods. These approaches enable a deeper understanding of the Jewishness of the early Christ-centered movement, and how Jews in antiquity related to their cultural and religious identity. Emanuel's volume offers new insights and fills a gap in contemporary scholarship on Revelation and biblical scholarship more broadly.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.