With her 2004 novel Nara Report, Tsushima Yūko has presented us with a “report” through which memories borne by the dead come alive. This essay traces the ways in which the novel makes present day Nara emerge as a topos resounding with the voices of those subjected to Buddhist marginalization in pre-modern Nara— women, minorities, outcasts and animals— and considers how it creates space for reimagining this densely overdetermined place.