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Published online by Cambridge University Press: 14 March 2025
This essay develops McCormack and Norimatsu's point that memories of the past impact contemporary Okinawa and shape the identities of Okinawans. Roberson shows how memories of the Battle of Okinawa are a powerful presence in contemporary Okinawan popular music. In Roberson's words: “Early songs reflect the dynamics and contradictions of assimilationist pressures and desires that led Okinawans to participate … in Japan's wars and empire building. Later songs give witness to personal and cultural ambivalences and to the profound injuries suffered by Okinawans during the battle. As a result of their experiences in war, Okinawans have since that time sung of peace, first in terms of desiring to return to what they think of as a long-ago peaceful homeland, and later imagined in response to American military control and to the promise offered by Japan's ‘Peace Constitution.’” Popular songs in Okinawa, in short, can serve as a fascinating lens through which to observe the way in which Okinawans’ historical experiences have shaped contemporary Okinawan culture and politics.