
Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgements
- Abbreviations
- Introduction: Sacred Spaces and Places: Constructing the Virgin Mary in Hispanic Literature
- Liturgy and Place
- 1 A Feast of Miracles: Foreign Places, Foreign Spaces in Hispanic Miracle Collections
- Places of Growth and Irrigation
- 2 Hortus conclusus? Virginity and Fruitful Space in Gonzalo de Berceo’s Los Milagros de Nuestra Señora
- 3 Holding and Reflecting the Water of Life in Gonzalo de Berceo’s ‘fuent’: Wellsprings and Fountains as a Figure of the Virgin
- 4 Fountains and their Architecture: Situating Fountains in the Poetry of the Marqués de Santillana and Other Fifteenth-century Poets
- Places of Entry and Exit
- 5 The Temple Gate, the Lions’ Den, and the Furnace: Liminal Spaces in Gonzalo de Berceo’s Marian Poetry
- 6 The Sacred Temple, the Tabernacle, and the Reliquary in the Poetry of Pedro de Santa Fé, Fernán Pérez de Guzmán, Juan Tallante, and Other Late Medieval Poets
- 7 Home is where the Heart is: Christ’s Dwelling Place from Gonzalo de Berceo’s Loores de Nuestra Señora to the Vita Christi of Isabel de Villena
- Spaces of Protection
- 8 Mary as a Strong Defence: The Protective Space of the Virgin from Alfonso X’s Cantigas de Santa Maria to Jaume Roig’s Siege Engine
- 9 ‘Más olías que ambargris’: Perfumed Spaces of the Virgin in Fray Ambrosio Montesino’s Poetry
- Afterword
- Appendix: Peninsular Hymns to the Virgin
- Bibliography
- Index of Places as Marian Figures
- Index of Objects and Containers
- Index of Plants, Medicinal Substances and Perfumes
- General Index
6 - The Sacred Temple, the Tabernacle, and the Reliquary in the Poetry of Pedro de Santa Fé, Fernán Pérez de Guzmán, Juan Tallante, and Other Late Medieval Poets
Published online by Cambridge University Press: 20 August 2020
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgements
- Abbreviations
- Introduction: Sacred Spaces and Places: Constructing the Virgin Mary in Hispanic Literature
- Liturgy and Place
- 1 A Feast of Miracles: Foreign Places, Foreign Spaces in Hispanic Miracle Collections
- Places of Growth and Irrigation
- 2 Hortus conclusus? Virginity and Fruitful Space in Gonzalo de Berceo’s Los Milagros de Nuestra Señora
- 3 Holding and Reflecting the Water of Life in Gonzalo de Berceo’s ‘fuent’: Wellsprings and Fountains as a Figure of the Virgin
- 4 Fountains and their Architecture: Situating Fountains in the Poetry of the Marqués de Santillana and Other Fifteenth-century Poets
- Places of Entry and Exit
- 5 The Temple Gate, the Lions’ Den, and the Furnace: Liminal Spaces in Gonzalo de Berceo’s Marian Poetry
- 6 The Sacred Temple, the Tabernacle, and the Reliquary in the Poetry of Pedro de Santa Fé, Fernán Pérez de Guzmán, Juan Tallante, and Other Late Medieval Poets
- 7 Home is where the Heart is: Christ’s Dwelling Place from Gonzalo de Berceo’s Loores de Nuestra Señora to the Vita Christi of Isabel de Villena
- Spaces of Protection
- 8 Mary as a Strong Defence: The Protective Space of the Virgin from Alfonso X’s Cantigas de Santa Maria to Jaume Roig’s Siege Engine
- 9 ‘Más olías que ambargris’: Perfumed Spaces of the Virgin in Fray Ambrosio Montesino’s Poetry
- Afterword
- Appendix: Peninsular Hymns to the Virgin
- Bibliography
- Index of Places as Marian Figures
- Index of Objects and Containers
- Index of Plants, Medicinal Substances and Perfumes
- General Index
Summary
When late medieval poets prefigure the Virgin by the Temple, they often do so in a litany of praises or sometimes in a reworking of a well-known hymn. In this way, when poets set out a ‘litany of epithets often applied to Mary’ in a medieval poem or hymn, they seem to confirm the value that such litanies had for medieval people. Among the best-known litanies are those in Gonzalo de Berceo's Marian works. Saying familiar names had the power to overcome evil and to weave a web of goodness within which the sinner could shelter. Poets use epithets such as ‘trasmontana de la mar’, ‘resplandor del día’, ‘clarifica estrella’, or ‘clara estrella Diana’, as light imagery. They also use images of flowing water and garden images. Some epithets have merited little commentary and have often been misinterpreted.
It is easy for readers several centuries later to minimize the importance and power that these oft-repeated titles for the Virgin might have had for poets and authors. So, when late medieval poets call the Virgin ‘templo’, Temple, as in ‘templo del divino amor’, Temple of God's love, or ‘templo bien auenturado’, blessed Temple, are these simply line-fillers or do the poets who use them intend to tap into an ageold web of goodness? In this chapter, I seek to uncover some of the long-forgotten meanings of such epithets for the Virgin, showing how she could be allegorized as a Temple and examining biblical, theological, liturgical, and literary sources.
The Temple and its Sacred Spaces: Poetic Titles for the Virgin in the Fourteenth and Fifteenth Centuries
The Temple and its attributes had a long history of repetition in books of hours, particularly at the feasts of the Virgin. The objects held in its bounds were also mentioned frequently: tabernacle, sanctuary, or Ark. In this section, I will assess whether poets and authors merely repeat age-old concepts or whether they use such figures differently.
One example of a seemingly tired rendition of epithets is the Loores de Nuestra Señora, the Praises of Our Lady, by Pedro de Santa Fé (†c.1435).
- Type
- Chapter
- Information
- The Sacred Space of the Virgin Mary in Medieval Hispanic Literaturefrom Gonzalo de Berceo to Ambrosio Montesino, pp. 205 - 246Publisher: Boydell & BrewerPrint publication year: 2019