Interpreting the Moving Image

Noel Carroll

doi:10.1017/CBO9781139164115

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Noel Carroll, University of Wisconsin, Madison

Publisher:: Cambridge University Press
Online publication date:: June 2012
Print publication year:: 1998
Online ISBN:: 9781139164115
DOI:: https://doi.org/10.1017/CBO9781139164115

Series:: Cambridge Studies in Film
Subjects:: Film, Film, Media, Mass Communication, Media, Mass Communication

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Interpreting the Moving Image is a collection of essays by one of the most astute critics of cinema at work today. This volume provides a close analysis of major films of both the narrative and the avant-garde traditions. Written in accessible and engaging language, it also serves as a guide to such classics as The Cabinet of Dr Caligari and Citizen Kane, as well as the art of cinema in the post-modern era.

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Interpreting the Moving Image

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-viii

Contents
pp ix-x

Foreword: Through Carroll's Looking Glass of Criticism
pp xi-xviii

Introduction
pp 1-16

1 - The Cabinet of Dr. Kracauer
pp 17-25

2 - Entr'acte, Paris and Dada
pp 26-33

3 - The Gold Rush
pp 34-43

4 - Keaton: Film Acting as Action
pp 44-63

5 - Buster Keaton, The General, and Visible Intelligibility
pp 64-79

6 - For God and Country
pp 80-91

7 - Lang, Pabst, and Sound
pp 92-104

8 - Notes on Dreyer's Vampyr
pp 105-117

9 - King Kong: Ape and Essence
pp 118-142

10 - Becky Sharp Takes Over
pp 143-152

11 - Interpreting Citizen Kane
pp 153-165

12 - The Moral Ecology of Melodrama: The Family Plot and Magnificent Obsession
pp 166-177

13 - Mind, Medium, and Metaphor in Harry Smith's Heaven and Earth Magic
pp 178-190

14 - Welles and Kafka
pp 191-202

15 - Nothing But a Man and The Cool World
pp 203-213

16 - Identity and Difference: From Ritual Symbolism to Condensation in Anger's Inauguration of the Pleasure Dome
pp 214-224

17 - Text of Light
pp 225-227

18 - Joan Jonas: Making the Image Visible
pp 228-233

19 - Introduction to Journeys from Berlin/1971
pp 234-239

20 - The Future of Allusion: Hollywood in the Seventies (and Beyond)
pp 240-264

21 - Back to Basics
pp 265-273

22 - Amy Taubin's Bag
pp 274-283

23 - Herzog, Presence, and Paradox
pp 284-299

24 - Film in the Age of Postmodernism
pp 300-332

Notes
pp 333-358

Index
pp 359-370

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Interpreting the Moving Image

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