Although racial segregation was a social and literary reality throughout the nineteenth century, it would not come to define political, social, and literary practice until the fin de siècle. The defeat of Populism and the wave of disfranchisement across the South in the 1890s enabled the rise of the segregationist order of Jim Crow. Within this order, black writers incubated the idea that the political fate of black Americans required establishing an African American literature. From the 1890s forward, a variety of black writers, including Charles Chesnutt, Anna Julia Cooper, W. E. B. Du Bois, Sutton E. Griggs, Frances Ellen Watkins Harper, and J. McHenry Jones, sought in their fictional representations of segregation to determine whether these strictures reflected the political will of white southern elites or the animus of lower-class whites. With no social or political basis for political participation by the southern working classes, the form of black politics that came to predominate in the South was what the historian Judith Stein has called “appeals to the ruling elements of society” for justice and redress, with correlate appeals to black elites to speak for the race. It was also this politics of appeal that structured the rise of African American literature.