This chapter examines the origins and style of the early English essay, in order to consider the peculiarities of the form. The first section discusses the vexed origins of the English essay, which arrived on the literary scene both as an innovation, and as a continuation of older forms of moral discourse. It argues that essays were characterised by a paradoxical relationship to temporality, affecting both how the form began, and its style, in representing thought and thinking. Examining the style of essays by Francis Bacon, William Cornwallis, Nicholas Breton, Owen Felltham, and John Hall, the chapter uncovers a tension between flow and stasis, evident in punctuation and the structure of sentences. Rather than taking this to signal two distinct styles of the early English essay, associated respectively with Montaigne and Bacon, the chapter argues that it is the tension that is characteristic, oscillating between the representation of deliberation and decision.

This chapter asserts the influence of Francis Bacon’s natural philosophy on the early modern English essay, noting in particular how the Baconian commitment to scientific experiment and empirical investigation informed the work of early essayists such as Robert Boyle, Samuel Hartlib, and William Cornwallis. The author argues that the humanist form of the essay was also harnessed to the practical and utilitarian ends of managed state capitalism, including agriculture and political economy.

This chapter offers a historical introduction to the origins of the essay in sixteenth-century France. It examines the role of memory in the early-modern essay and attempts to identify the mnemonic affordances of the essay form. The author compares the essays of Michel de Montaigne to those of his English successors, Francis Bacon and William Cornwallis.