Book contents
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
City Performance
Published online by Cambridge University Press: 04 March 2025
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
Summary
Dispersed on either side of the Thames, the renovated and so-called ‘purpose-built’ playing spaces used by professional acting companies such as Shakespeare’s were situated in the suburbs and what were known in London as ‘liberties’. These were areas outside or just within the City itself which were under private jurisdiction, and not answerable to London’s governing structures.
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- Information
- Shakespeare's Stages , pp. 8Publisher: Cambridge University PressFirst published in: 2025