Book contents
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
The Tiring House
Published online by Cambridge University Press: 04 March 2025
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
Summary
The space immediately behind the stage was crucial to the smooth running of an early modern performance, and was familiarly known as the ‘tiring house’. ‘Tiring’, that is, in two senses: as a space to which the actors coming offstage would retire, and a space in which, before and during the performances, they would be attired in their costumes.
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- Shakespeare's Stages , pp. 34Publisher: Cambridge University PressFirst published in: 2025