Book contents
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations of Major Primary Works Cited
- Typological Conventions in Novalis: Schriften
- Introduction
- 1 Writing in Context: Romanticism, Gender, and the Case of Novalis
- 2 Writing about Women, 1795–99
- 3 Esteem and the Epistolary: Hardenberg and Women of Letters
- 4 Music and the Manifold of Voices: The Subject and the Theory of Polyphony, 1797–99
- 5 From Music to Metamorphosis: Women's Role and Writing in Heinrich von Ofterdingen, 1798–1801
- 6 “Freyes Fabelthum”: The Poetic Construction of Gender in Hardenberg's Religious Writing
- Conclusion: Progression, Reaction, and Tension in Hardenberg's Gender Writing
- Works Consulted
- Index
Contents
Published online by Cambridge University Press: 05 February 2013
Book contents
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations of Major Primary Works Cited
- Typological Conventions in Novalis: Schriften
- Introduction
- 1 Writing in Context: Romanticism, Gender, and the Case of Novalis
- 2 Writing about Women, 1795–99
- 3 Esteem and the Epistolary: Hardenberg and Women of Letters
- 4 Music and the Manifold of Voices: The Subject and the Theory of Polyphony, 1797–99
- 5 From Music to Metamorphosis: Women's Role and Writing in Heinrich von Ofterdingen, 1798–1801
- 6 “Freyes Fabelthum”: The Poetic Construction of Gender in Hardenberg's Religious Writing
- Conclusion: Progression, Reaction, and Tension in Hardenberg's Gender Writing
- Works Consulted
- Index
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- Women and Writing in the Works of NovalisTransformation beyond Measure?, pp. vii - viiiPublisher: Boydell & BrewerPrint publication year: 2007