This chapter considers the relationship between masculinity, work, and the body in Hopkins’s poetry, focussing in particular on the idealization of working-class bodies in ‘Felix Randal’, ‘Harry Ploughman’, and ‘Tom’s Garland’. It explores Hopkins’s engagement with the ‘Gospel of Work’ in the nineteenth century, situating his works alongside that of writers such as John Ruskin and Thomas Carlyle. It also examines the significance of broader social developments in the period: the rise of ‘muscular Christianity’, the socialist unrest of the late 1880s, and increasing medical concerns about overwork and leisure. The final section turns to Hopkins’s journals to consider his preoccupation with forms of productive labour, especially as this relates to self-regulation and sexual continence. In closing, the chapter considers Hopkins’s fraught engagement with the poetry of Walt Whitman and its eroticized representations of the male body.